What an excellent anthology! I believe it takes a great effort and definitely talent and experience to create good anthologies. There are thousands of excellent short stories out there of post-apocalyptic nature. I am sure it takes an enormous amount of time to select few that encompass this greatly dramatic subject. John Joseph Adams has done an incredible job. Wastelands is definitely worth reading.
The stories collected here are hopeful, hopeless, romantic, dramatic, and in some cases even comedic. The range of emotions I felt while reading these stories is incredible. Honestly, I am a bit too emotional sometimes, so reading "The People of Sand and Slag" by P. Bacigalupi has truly saddened me, I wish I skipped this one. However, there are other stories that are in some ways more optimistic and positive, for example "Ginny Sweethips' Flying Circus" by N. Barrett and even "Judgment Passed" by J. Oltion (although I don't think many will agree with me on this one). And of course there are really scary stories like " Dark, Dark Were the Tunnels" by G. Martin and "Episode Seven" by John Langan. I think every person will feel a bit differently about each story.
I really like reading post-apocalyptic books, so maybe I am a bit biased when it comes to this subject. However, I do believe that even for people who've never read any "end of the world" books before, this one would be an excellent first read. So, again Wastelands is a great anthology, and I 100% recommend it!

I have long enjoyed apocalyptical fiction. What happens after the final disaster or war? Will mankind survive? How? How will he adjust to a changed world? What qualities will help him to survive? You will find answers to those questions and more in the pages of this well written book. Each story is a new world... a new adventure... a new beginning - after the end.

Somebody once said that after a disaster there is always at least one survivor to tell the story to others. But what if you are the sole survivor and there is no-one else on Earth to talk to?

Long ago I read a SF-story (or should I say a post-apocalyptic story? Oh well, what's in a name?) about a man who was not only the sole survivor of the human species but of all existing life including vegetation. Because of his injuries he could only crawl. After several months he finally reached the Ocean, crawled into the water and died. His decomposing body would provide the Ocean with atoms and molecules so that in a far future, new life could emerge from it.

Because of the atomic bomb on Hiroshima and the Cold War, post-apocalyptic literature was popular. But the fall of the Berlin Wall meant also the end of post-apocalyptic literature.

Today there is a revival of this genre. Probably because adventure and the possibility of starting all-over have a kind of charm. Maybe the most notorious example is Cormac McCarthy who received the Pulitzer-Price for his novel 'The Road'.

In this collection, you won't find stories where an invasion by Aliens or an uprising of Zombies are responsible for wastelands all over the globe. The editor of this anthology, John Joseph Adams, says that they could be the subject for another anthology.
The best thing I can do right now is to give you the name of each author and the title of his/her story.

The End of the Whole Mess - Stephen King
Salvage - Orson Scott Card
The People of Sand and Slag - Paolo Bacigalupi
Bread and Bombs - M. Rickert
How We Got In Town and Out Again - Jonathan Lethem
Dark, Dark Were the Tunnels - George R.R. Martin
Waiting for the Zephyr - Tobias S. Buckell
Never Despair - Jack McDevitt
When Sysadmins Ruled the Earth - Cory Doctorow
The Last of the O-Forms - James Van Pelt
Still Life with Apocalypse - Richard Kadrey
Artie's Angels - Catherine Wells
Judgement Passed - Jerry Oltion
Mute - Gene Wolfe
Inertia - Nancy Kress
And the Deep blue Sea - Elisabeth Bear
Speech Sounds - Octavia E. Butler
Killers - Carol Emshwiller
Ginny Sweethips' Flying Circus - Neal Barret, Jr.
The End of the World as we Know It - Dale Bailey
A Song Before Sunset - David Grigg

Somebody once said that after a disaster there is always at least one survivor to tell the story to others. But what if you are the sole survivor?

Long ago I read a SF-story (or should I say a post-apocalyptic story? Oh well, what's in a name?) about a man who was not only the sole survivor of the human species but of all existing life including vegetation. Because of his injuries he could only crawl. After several months he finally reached the Ocean, crawled into the water and died. His decomposing body would provide the Ocean with atoms and molecules so that in a far future, new life could emerge from it.

Because of the atomic bomb on Hiroshima and the Cold War, post-apocalyptic literature was popular. But the fall of the Berlin Wall meant also the end of post-apocalyptic literature.

Today there is a revival of this genre. Probably because adventure and the possibility of starting all-over have a kind of charm. Maybe the most notorious example is Cormac McCarthy who received the Pulitzer-Price for his novel 'The Road'.

In this collection, you won't find stories where an invasion by Aliens or an uprising of Zombies are responsible for wastelands all over the globe. The editor of this anthology, John Joseph Adams, says that they could be the subject for another anthology.
The best thing I can do right now is to give you the name of each author and the title of his/her story.

The End of the Whole Mess - Stephen King
Salvage - Orson Scott Card
The People of Sand and Slag - Paolo Bacigalupi
Bread and Bombs - M. Rickert
How We Got In Town and Out Again - Jonathan Lethem
Dark, Dark Were the Tunnels - George R.R. Martin
Waiting for the Zephyr - Tobias S. Buckell
Never Despair - Jack McDevitt
When Sysadmins Ruled the Earth - Cory Doctorow
The Last of the O-Forms - James Van Pelt
Still Life with Apocalypse - Richard Kadrey
Artie's Angels - Catherine Wells
Judgement Passed - Jerry Oltion
Mute - Gene Wolfe
Inertia - Nancy Kress
And the Deep blue Sea - Elisabeth Bear
Speech Sounds - Octavia E. Butler
Killers - Carol Emshwiller
Ginny Sweethips' Flying Circus - Neal Barret, Jr.
The End of the World as we Know It - Dale Bailey
A Song Before Sunset - David Grigg

This is one of those themed compendiums in which the editor is trying a little too hard to take credit for collecting a previously unappreciated sub-genre. You see that a lot in speculative fiction. But regardless of the stretches John Joseph Adams makes in proclaiming the unheralded greatness of "post-apocalyptic fiction," he has put together a very powerful collection of stories by many great authors that are essential for the thinking spec-fi fan. Like any such collection, this one features a few clunkers here and there, like Elizabeth Bear's attempt at gritty action mixed with muddled supernatural elements, or the self-indulgently non-linear closer by John Langan. But the vast majority of tales here tackle the human aftermath of the end of civilization in intriguingly creative ways.

Orson Scott Card and Jerry Oltion explore the likely influence of established religion after the downfall of human civilization; while Paolo Bacigalupi, Catherine Wells, Nancy Kress, and Neal Barrett offer the book's best examples of the either comforting or frightening ways regular folks will adapt after the end of the world they know. There are also a few compelling surprises in store for the reader, like the tale of a forlorn former musician by David Gregg, and the morbidly funny apocalypse meta-tale by Dale Bailey. The book's most successful installments are Octavia Butler's (R.I.P.) look at a disturbing social collapse caused by an affliction that merely prevents people from adequately communicating, and George R.R. Martin's tale of the likely inability of future humans to accept their different courses of development after the collapse of a society that just barely kept them together.

And that's the running theme in most of the tales so expertly collected herein by John Joseph Adams. You usually have to imagine the apocalypse for yourself, but that's not the point. Here the writers advance much more enlightenment on how people will or will not adapt to the loss of a social order that they or their predecessors should have tried not to destroy. [~doomsdayer520~]

Man has always been fascinated with death. From Plato's lauding of Socrates' death to modern experiences of the "white light and tunnel", humans have always wondered at death. And this same dread fascination includes the death of Earth itself. Through warfare, natural disaster, neglect, or religious experience, humanity has predicted the end since recorded history, and in many forms. Post apocalyptic SF is the fictional descendant of the Book of Revelation or Nostradamus' predictions. It speculates about what life would be like for survivors of a cataclysm that rocks the Earth, changing the very fundamental nature of society. And we, as readers, read on with dread horror at what unfolds, for we know ourselves, and that we can be capable of deeds both heroic and ghastly.

John Joseph Adams has collected some of the greatest post apocalyptic SF from the last twenty years, from some of the greatest speculative fiction talents, all in Wastelands: Stories of The Apocalypse. Many of the stories have garnered awards like Nebula's or Hugo's or Locus'. Many more have been nominated or their writers have for other work. You cannot be disappointed by this collection, because the work evidenced here is some of the best story telling science fiction has to offer.

The very first story is a doozy, coming from the mind of horror fiction writer, Stephen King. King spins a tale entitled "The End of the Whole Mess" wherein a genius of uncharted proportions turns his mind to the problem of human violence. But passivity has a consequence, as the protagonist discovers. His story is unique from most of the others in this anthology in that it approaches the apocalypse from the untainted side. Most of the other stories in the volume look at what happens after the world ends, but King writes with his exceptional prose the tale of the end through the catalyst of that end.

Orson Scott Card explores his own religion of Mormonism in "Salvage". His protagonist, Deaver, seeks wealth in drowned Salt Lake City. But the story is really about how faith and reliance on one another, with hope, allows people to bring about a rebuilding of civilization. This is one of the first stories in the "Mormon Sea" series by Card.

"The People of Sand and Slag" by Paolo Bacigalupi is a strange one. Earth has become a hostile environment, but man has adapted through the use of technology, so much so that he can survive by eating radioactive rock. Without the need for animal meat, humans have left them to become extinct in the hostile world. But when three humans come across a dog, their humanity seems to return. This is a sad story about humanity's ability for empathy and what would be lost without it.

"Bread and Bombs" is truly horrifying. It is Mary Rickert's response to the events of 9/ll and our subsequent wars in Afghanistan and Iraq. Her ability to make something as innocent as snow into something horrifying and then make it a metaphor for the surprise ending was compelling. I'm not sure what point she was making, but it was still a tale both prosaic and chilling all at once.

Jonathan Lethem has a dislike of VR technology. In "How We Got into Town and Out Again" he explores what place VR would have after an apocalypse. The story is really a denouncement of those who would escape reality, and those who would profit from that desire.

"Dark, Dark Were the Tunnels" applies evolutionary theory to an apocalypse. How different would men be if some survived offworld from a worldwide cataclysm and some survived underground, but were separated by centuries? Would they be able to communicate or work together? George R. R. Martin's conclusions are sad, and remind me of colonialism in Africa, and the thoughts the conquerors must have had over about those they conquered who looked so different and seemed so primitive.

In a short and hopeful story, Tobias Buckell explores a technology that is little more than a hobby now, land sailing. "Waiting for the Zephyr" was a good story, but I felt that it was too short, and was more the seed of a story than a complete one. I like Buckell's writing a lot, but was disappointed by this one.

In "Never Despair" by Jack McDevitt one of the great leaders of history appears to one of the survivors of a cataclysm. In a clever weaving of leader's statements and the reactions of the protagonist, McDevitt reminds us that hope will be our greatest asset in the wake of apocalypse.

With his characteristic black humor, Cory Doctorow explores his own career in "When Sysadmins Ruled the Earth". Doctorow's story pokes fun at geekdom, and at a strange and bizarre culture of those people who keep the internet flowing. There is a lot of techie speak that is part of the story, but Doctorow both humanizes and ridicules the scions of the Internet Age. Funny and sad all in on go.

In "The Last of the O-Forms" James Van Pelt finds that when the abnormal is normal, then normal becomes a thing of wonder and fascination. Using a traveling circus as his setting, Van Pelt reflects on what humanity takes for granted.

"Still Life with Apocalypse" is the shortest story in the anthology. At two pages, Richard Kadrey's story provides a picture of life for those left to clean up the world. A tale reliant on visual imagery, it is a painting of a moment in time.

Catherine Wells creates a neo-Arthurian story in "Artie's Angels". Although a little heavy-handed in its metaphor, it is still compelling and in a way celebrates the need for legend and the idea that a hero's death can be more world-changing than his life. It also delves into the effect on the poor that a mass exodus from a dying planet would have. People live in bubbles due to the radiation outside, and different sectors of the bubble are richer or poorer, with the rich able to get off planet. In a way, this is a look at the modern cityscape with its slums and its suburban areas all cordoned off, each from the other.

The only story not previously published elsewhere, Jerry Oltion's "Judgment Passed" is an anti religious screed. When a colony mission returns to earth to find that everyone has been raptured by Jesus, the leftovers struggle with whether to curse God and move on, or ask him to take them too. Oltion's villain is essentially a religious zealot and his heroes' agnostics. But I think his story backfires, because his heroes end up seeming shallow and selfish where he was trying to make them seem pragmatic and intelligent.

This was the first time I had read any of Gene Wolfe's work, and I have to say that I enjoyed it. In "Mute", Only two children are left at the end of the world. This one defies description and simply must be read; even then it probably won't make any sense. But it is still well-sculpted.

Nancy Kress explores identity in "Inertia". A horrible disfiguring plague causes governments to intern the victims into ghettos. Expecting them to devolve into violence, they are surprised when they create sustainable societies. A rouge group of scientists finds out why. Kress wonders at just what it might take for man to live peaceably with each other.

"And the Deep Blue Sea" has a word that comes before it in English idiom. If you know it, you'll have a leg up in enjoying this tale. Elizabeth Bear's story of a mail courier who is forced to choose between saving her own hide and that of an entire city is a sort of post apocalyptic Faust.

"Speech Sounds" has the most horrifying apocalyptic event of the entire anthology to my mind. Octavia E. Butler's humanity has lost the ability to communicate through speech, and are forced to rely and hand gestures. Add to that brain damage that makes males more primal, and women to lose their memory, and what you have is a truly frightening tale. But this one ends on a hopeful note, as many of the other stories in this anthology do not.

Carol Emshwiller wrote "Killers" as a follow-through to what we have been told about the war in Iraq. It thinks about what might happen if the war were to move to our shores. Yet really, it is more about feminine jealousy than anything else. In Emshwiller's world, most men are dead or insane from the sights of war, so good men are in short supply. If a woman were able to redeem one of these men, and then have him stolen from her, how might she react?

For those looking for a Mad Max type story, Neal Barrett Jr.'s "Ginny Sweethips Flying Circus" provides the action adventure element of post apocalyptic SF such fans are looking for. An interesting story with some interesting and unexpected plot twists, this one was just fun to read without being heavily philosophical.

Dale Bailey wonders why everyone at "The End of The World as We Know It" is always trying to rebuild civilization. A satire of the genre of post apocalyptic SF, Bailey's story is both a review of some of the favorites we all know and love, and a close look at our sick fascination with the end of the world.

David Grigg simply looks at the effect that a catastrophe would have on artists in "A Song Before Sunset". Since culture not longer exists, what would musicians, painters, and dramatists do? Grigg's effects are saddening.

"Episode Seven: Last Stand Against the Pack in the Kingdom of the Purple Flowers" is John Langan's response to Dale Bailey's giving up mentality in his story in this anthology. Langan's protagonists fight desperately for their life, and seek the ability to find peace and solitude where they can rebuild. Unfortunately, they are being hunted, but ingenuity wins out in the end. This was a good story to wrap the anthology with, as it ends on a hopeful note, believing that man would strive on in the wake of apocalypse.

Wastelands is an exceptional anthology. In scope and vision it can only be compared to Harlan Ellison's Dangerous Visions. Like that famed anthology, Wastelands collects some of the best stories of a genre, each with an introduction by the editor that sets the stage for the events that unfold. The stories are full of depth, but are also so well crafted that they are not preachy. None of the stories will disappoint the reader who picks up this anthology.

John Joseph Adams has also gone a step further to give the reader a listing of some of the post apocalyptic science fiction novels we should read, if we enjoy the genre. Coupled with his introduction and the pre-story intros, the reader finds a well-crafted argument for why this subgenre of science fiction is one of the best for exploring the human condition.

I highly recommend this anthology for anyone who enjoys reading anything. A lot of these authors I had not read before and I now want to seek out their novels at the bookstore. Each story is unique, and while all share the same basic frame, each writer has been able to pull a completely different conclusion about or assessment of humanity. Some are chilling while others are hopeful, but each will show the reader a facet of himself or herself if they are willing to see it. Wastelands: Stories of the Apocalypse is the best anthology of any kind I have read to date.

This should be "Stories from some unknown time after the Apocalypse". The wasted city on the front cover? Not really relevent to any of the stories. More about people than survival. Some great stories "When SysAdmins Ruled the World", some not so great "Bread and Bombs", and some worse: "The People of Sand and Slag". Stephen King's opener was ruined since it was portrayed on tv on USA's Nightmares and Dreamscapes...

If you want to know how the "Apocalypse" happened in each story, what was done for immeadiate survival, and why you should care about any of the characters, you're out of luck... don't expect that much of a back story in almost any of these collected works (with the highlighted exception of "When SysAdmins Ruled the World".)

I love post apocalyptic literature. Given world events -- they may later be seen as great instructional manuals. Anyway, my advice: "Run don't walk to buy this book." I became so immersed in some of the stories that I needed to look out my window to assure myself there was no steaming wreckage outside in a destroyed city. Thankfully, my town was intact.

What is great is the variety of the stories and various writing styles of the stories. I entered "new worlds" - my imagination soared through the gifted writing and plots.

I love J. Langan's packs of humans scurrying around abandoned strip malls, in "Episode Seven" (perhaps a better use of the 'strip mall'). And Ocatavia Butler's poignant story -- sometimes you feel like crying for a world that is lost. Other times you are engrossed in man's struggle to survive in a doomed world.

The eerie juxtaposition of commonplace life against a chaotic, wrecked world gives you gooseflesh. John Joseph Andrews -- Thank you for putting together this great collection. When is the next one? I look forward to it.

I love post apocalyptic literature. Given world events -- they may later be seen as great instructional manuals. Anyway, my advice: "Run don't walk to buy this book." I became so immersed in some of the stories that I needed to look out my window to assure myself there were no steaming wreckage outside in a destroyed city. Thankfully, my town was intact.

What is great is the variety of the stories and various writing styles of the stories. I entered "new worlds" - my imagination soared through the gifted writing and plots.

I love J. Langan's packs of humans scurrying around abandoned strip malls, in "Episode Seven" (perhaps a better use of the 'strip mall'). And Ocatavia Butler's poignant story -- sometimes you feel like crying for a world that is lost. Other times you are engrossed in man's struggle to survive in a doomed world.

The eerie juxtaposition of commonplace life against a chaotic, wrecked world gives you gooseflesh.

John Joseph Andrews -- Thank you for putting together this great collection. When is the next one? I look forward to it.

A tightly themed, well executed collection: Wastelands captures our apocalypse fears and fantasies equally well and sometimes even simultaneously.

Adams wisely chooses Stephen King's "The End of the Whole Mess" as an opener and moves into all manner of exciting territory from there. Wastelands is the expected mix of strong (and some average) short stories; most of them have a high re-read score and there is an good mix of diverse ideas and themes that keep within the central focus.

THAT SAID: if you are considering this one, read the introduction before you make the purchase. This isn't about zombie plagues or alien invasions or black holes ripping through our space-time continuum. This is about somewhat more plausible apocalypses. Even when they're totally unexplained.

Most of these stories I enjoyed as much as I expected (e.g., "Speech Sounds") and some less so (e.g., "When Sysadmins Ruled the Earth") and some more so (e.g., "Salvage"). I won't enumerate the themes you expect in an apocalypse-themed collection; they're all here and they're all in full force. I will remark on the following, however:

* I was a bit amused by how many of these shorts featured nomads;
** and more so by how often those nomads were of the carny folk variety.
* The stories seem to be pretty "current" in their bio-engineered plagues and their genetic fall-out and their post-Peak Oil crises and 9/11-kneejerks; the last star in my review would have been earned by but one thorough and explicit treatment of WW3-ish nuclear winter.
* Remember: you brought this on yourself.

In his introduction, John Joseph Adams claims there has been a resurgence in interest in post-apocalyptic science fiction, and asks: "So why the resurgence? Is it because the political climate now is reminiscent of the climate during the Cold War?" This sets the stage that this book is going to have a left-wing political bend, and it does. Its not pervasive, but just enough to be annoying.

Some examples include M. Rickert's story "Bread and Bombs" with "is in response to news reports concerning food packages being dropped in Afghanistan which were wrapped in the same color packaging as bombs - which detonated when picked up by hungry children."

Jerry Oltion ("Judgment Passed") "has strong views on religion - namely that its a scourge on humanity".

"Killers" by Carol Emshwiller "grew out of Emshwiller's objections to the war in Iraq. The American people have been told that we're fighting terrorists over there so we don't have to fight them over here." Her story "ponders what it would be like afterward if such a war did come to our shores." Perhaps she came up with this anti-war message while washing diapers by oil lamp on an old style washboard down by the river, as Adams tells us is her lifestyle.

The only counter here is Orson Scott Card's story "Salvage" which is an homage to his Mormon faith.

The rest of the stories are good post-apocalyptic fiction - some better than others. "The People of Sand and Slag" by Paolo Bacigalupi was excellent, as was "Dark, Dark Were the Tunnels" (written in 1973) by George R.R. Martin, and "When Sysadmins rules the Earth" by Cory Doctorow.

If you're looking for some escapist post-apocalyptic fiction that's not peppered with leftist authors belching up their political opinions, try something else. If that does appeal to you, you can probably find another book with a little more fresh content.

I did enjoy the irony of Adam's introduction going right into Stephen King's 1986 story "The End of the Whole Mess", which goes on the premise that the water around Waco, Texas contains some element that calms people, making Waco the safest, most non-violent area in the world. Of course, seven years later, there was indeed some very serious violence in Waco. I very much doubt that Adams, Rickert and Emschwiller would describe the government administration that perpetrated that event on American citizens as contributing to a political climate reminiscent of the climate during the Cold War, or Soviet Russia for that matter.

After reading The Dark Tower series, the Stand, Dreamcatcher, and about ten other King novels, the stories just seem to blend and become the same. There is always a man in black, a theme I do enjoy, but the Wastelands collection just seems to be an excercise in "how can I end the world this time?"

I could have lived without it.

After reading The Dark Tower series, the Stand, Dreamcatcher, and about ten other King novels, the stories just seem to blend and become the same. There is always a man in black, a theme I do enjoy, but the Wastelands collection just seems to be an excercise in "how can I end the world this time?"

I could have lived without it.

What is in a name? A title? Wastelands: Stories of the Apocalypse suggests that the anthology will cover stories directly dealing with various versions of the apocalypse, the end of the world. That is not quite what this Wastelands anthology is about, though. The original title Wastelands: Stories of Life After Apocalypse was a bit more apt in describing the content of this anthology. The stories collected here by editor John Joseph Adams are not about the apocalypse, but rather about life after apocalypse. The wastelands made of our world is not the primary point of any individual story, but rather the survival of the species told in small human stories. In that sense the majority of the stories here are filled with beauty and not just the desolation of the landscape.

What is most remarkable about Wastelands is just how varied stories about living after the destruction of civilization is. Take Octavia E. Butler's Hugo Award winning "Speech Sounds", a story where humanity has lost the power of speech and must find other ways to communicate and society has broken down. Telling the story from the perspective of a woman named Rye, Octavia Butler is able to really give the reader a sense of the terror a woman may feel in such a situation and the emptiness of that life, of the snap anger and body language required to get by, and the barest hint of hope. "Speech Sounds" has been anthologized before, but is a truly outstanding story.

The range of stories collected in Wastelands runs the gamut from "Bread and Bombs" by M. Rickert, a post 9/11 story with kids feeling the fear of their parents, to the future history of "Dark, Dark Are the Tunnels" by George R. R. Martin, a post nuclear holocaust story with the remants of humanity living deep under ground, or Paolo Bacigalupi's "The People of Sand and Slag" where humanity is barely recognizable and a dog reminds the survivors of what life must have been like before, and filled with sadness of the setting and situation. Bacigalupi's story is especially surprising to me because of how negatively I reacted to his story "Yellow Card Man", but "The People of Sand and Slag" is a heartbreaking, beautiful, and painful story.

Other standout stories in Wastelands include Cory Doctorow's "When Sysadmins Ruled the World", "Artie's Angels" by Catherine Wells, and most surprisingly, the anti-Rapture and anti-religion "Judgment Passed" by Jerry Oltion. A spacecrew who were away from Earth return to find that Christ had returned and the Rapture occurred. I had expected that Oltion's anti-Rapture theme would overwhelm the story, but Oltion was very thoughtful and the way he had the characters respond seemed reasonable and plausible.

There are stories in the Wastelands anthology which did not quite work. Gene Wolfe's "Mute" is about as inscrutable as one would expect and despite Neil Gaiman's insistence on Wolfe improving with re-reading, "Mute" fails to connect. "Still Life With Apocalypse" and "Episode Seven" both did not seem to tell a coherent story.

"Episode Seven" is notable because John Langan was inspired to write the story in response, partly, by Dave Bailey's "The End of the World As We Know It", a very different story of "post-apocalyptic" fiction. In this story the survivor has a passive response to the end of the world, drowning it in alcohol rather than fighting actively for survival. Outstanding story, one of the best in the anthology.

Also notable are Elizabeth Bear's driven "And the Deep Blue Sea" and Neal Barrett Jr's "Ginny Sweethips' Flying Circus".

The bottom line is that collectively the stories John Joseph Adams has put together here in Wastelands shows off the range of the post-apocalyptic sub-genre of fiction. Wastelands is an excellent anthology of short fiction and one that would easily fit on any collector's shelves. There are far more standout stories than there are misses, and even that is subjective.

Post-Apocalyptic fiction is a favorite sub-genre of mine, and getting the chance to see just how wide ranging the genre can be is a treat. As a bonus, Adams includes a bibliography at the end of the anthology of other prominent post-apocalyptic novels and short stories.


Reading copy provided courtesy of Night Shade Books.

What is in a name? A title? Wastelands: Stories of the Apocalypse suggests that the anthology will cover stories directly dealing with various versions of the apocalypse, the end of the world. That is not quite what this Wastelands anthology is about, though. The original title Wastelands: Stories of Life After Apocalypse was a bit more apt in describing the content of this anthology. The stories collected here by editor John Joseph Adams are not about the apocalypse, but rather about life after apocalypse. The wastelands made of our world is not the primary point of any individual story, but rather the survival of the species told in small human stories. In that sense the majority of the stories here are filled with beauty and not just the desolation of the landscape.

What is most remarkable about Wastelands is just how varied stories about living after the destruction of civilization is. Take Octavia E. Butler's Hugo Award winning "Speech Sounds", a story where humanity has lost the power of speech and must find other ways to communicate and society has broken down. Telling the story from the perspective of a woman named Rye, Octavia Butler is able to really give the reader a sense of the terror a woman may feel in such a situation and the emptiness of that life, of the snap anger and body language required to get by, and the barest hint of hope. "Speech Sounds" has been anthologized before, but is a truly outstanding story.

The range of stories collected in Wastelands runs the gamut from "Bread and Bombs" by M. Rickert, a post 9/11 story with kids feeling the fear of their parents, to the future history of "Dark, Dark Are the Tunnels" by George R. R. Martin, a post nuclear holocaust story with the remants of humanity living deep under ground, or Paolo Bacigalupi's "The People of Sand and Slag" where humanity is barely recognizable and a dog reminds the survivors of what life must have been like before, and filled with sadness of the setting and situation. Bacigalupi's story is especially surprising to me because of how negatively I reacted to his story "Yellow Card Man", but "The People of Sand and Slag" is a heartbreaking, beautiful, and painful story.

Other standout stories in Wastelands include Cory Doctorow's "When Sysadmins Ruled the World", "Artie's Angels" by Catherine Wells, and most surprisingly, the anti-Rapture and anti-religion "Judgment Passed" by Jerry Oltion. A spacecrew who were away from Earth return to find that Christ had returned and the Rapture occurred. I had expected that Oltion's anti-Rapture theme would overwhelm the story, but Oltion was very thoughtful and the way he had the characters respond seemed reasonable and plausible.

There are stories in the Wastelands anthology which did not quite work. Gene Wolfe's "Mute" is about as inscrutable as one would expect and despite Neil Gaiman's insistence on Wolfe improving with re-reading, "Mute" fails to connect. "Still Life With Apocalypse" and "Episode Seven" both did not seem to tell a coherent story.

"Episode Seven" is notable because John Langan was inspired to write the story in response, partly, by Dave Bailey's "The End of the World As We Know It", a very different story of "post-apocalyptic" fiction. In this story the survivor has a passive response to the end of the world, drowning it in alcohol rather than fighting actively for survival. Outstanding story, one of the best in the anthology.

Also notable are Elizabeth Bear's driven "And the Deep Blue Sea" and Neal Barrett Jr's "Ginny Sweethips' Flying Circus".

The bottom line is that collectively the stories John Joseph Adams has put together here in Wastelands shows off the range of the post-apocalyptic sub-genre of fiction. Wastelands is an excellent anthology of short fiction and one that would easily fit on any collector's shelves. There are far more standout stories than there are misses, and even that is subjective.

Post-Apocalyptic fiction is a favorite sub-genre of mine, and getting the chance to see just how wide ranging the genre can be is a treat. As a bonus, Adams includes a bibliography at the end of the anthology of other prominent post-apocalyptic novels and short stories.


Reading copy provided courtesy of Night Shade Books.

I know if your like me you view "theme" books with a bit of skepticism. Assembling a collection of any size with only one "type" of story can be daunting. I have often found many of these types of books containing one or a few really top notch stories and the rest relegated to filler. Collections like Ellison's Dangerous Visions is a shining example of how to do it right. Is Wastelands in that league? Not quite, but DAMN close. The stories are not as "dangerous" as DV and it's no where near the size of DVs. However, don't take me wrong, the tales in Wastelands are the crème de la crème of this genre and for that matter science fiction as a whole. Often the editors choice of covers is their attempt to put their best foot forward, so by looking at just the cover of Wastelands, one might suspect that the author is attempting to snare you on name recognition alone. Believe me, this is not the case. Yes, notable names all, however the tales between those names are every bit as strong. A good example is one of my favorites in this book and appearances elsewhere - The People of Sand and Slag, by Paolo Bacigalupi, or better called a boy and his dog and an appetizer. An absolutely stunning story of the far future and an equal to any of the "names" on the front. The whole book is like this. One retina blasting mind numbing yarn after another. King's story alone is worth the price of the book. (a kind of sideways retelling of Flowers for Algernon) The only suggestion is that you read each story straight through and put the book down and walk away for a time. Each story deserves to be considered on it's own merit. The subject matter and the tales themselves are often so strong and different that you very well could miss the high point of one while recovering from the blast received from the previous reading. Wastelands is well worth the cost. The author has done his job in exemplary manner. Wastelands would make an excellent gift for the jaded science fiction fan.

Paul Cole
host Beam Me Up radio program & podcast