Blood of Paradise: A Novel (Mortalis.)
| |||||||||||||||||||||||||||||
|
| |||||||||||||||||||||||||||||
| Sort customer reviews by: | |||||||||||||||||||||||||||||
|
Show All Reviews on Page
Hide All Reviews on Page
| |||||||||||||||||||||||||||||
| Blood of Paradise: A Novel (Mortalis.) | |||||||||||||||||||||||||||||
|
El Salvador: America’s great Cold War success story and the model for Iraq’s fledgling democracy–if one ignores the grinding poverty, the corruption, the spiraling crime, and a murder rate ranked near the top in the hemisphere. This is where Jude McManus works as an executive protection specialist, currently assigned to an American engineer working for a U.S. consortium. Ten years before, at age seventeen, he saw his father and two Chicago cop colleagues arrested for robbing street dealers. The family fell apart in the scandal’s wake, his disgraced dad died under suspicious circumstances, and Jude fled Chicago to join the army and forge a new life. Now the past returns when one of his father’s old pals appears. The man is changed–he’s scarred, regretful, self-aware–and he helps Jude revisit the past with a forgiving eye. Then he asks a favor–not for himself, but for the third member of his dad’s old crew. Even though it’s ill-considered, Jude agrees, thinking he can oblige the request and walk away, unlike his father. But he underestimates the players and the stakes and he stumbles into a web of Third World corruption and personal betrayal where everything he values–and everyone he loves–is threatened. And only the greatest of sacrifices will save them. “This big, brawny novel runs on full throttle from first to last page. Brutal and heartrendering, eloquent and important, this is a fully engrossing read.” –Michael Connelly “A Quiet American for the new century. Angry and impassioned, Blood of Paradise is that rare beast: a work of popular fiction that is both serious and thrilling.” –John Connolly, New York Times bestselling author of Every Dead Thing “David Corbett is a supremely gifted writer and Blood of Paradise reminds me of a Robert Stone novel. Its lyrical prose and exotic setting filled with damaged souls grasping for redemption any way they can combine in a tour de force that will haunt you long after you reach the end.” –Denise Hamilton, nationally bestselling author of Prisoner of Memory “If you’re looking for the best in contemporary crime fiction, this is it.” –The Washington Post, on Done for a Dime _________________________________________________________________ THE MORTALIS DOSSIER- BONUS FEATURE FROM DAVID CORBETT FROM TROY TO BAGHDAD (VIA EL SALVADOR) The Story's Genesis I conceived Blood of Paradise after reading Philoctetes, a spare and relatively obscure drama by Sophocles. In the original, an oracle advises the Greeks that victory over the Trojans is impossible without the bow of Herakles. Unfortunately, it’s in the hands of Philoctetes, whom the Greeks abandoned on a barren island ten years earlier, when he was bitten by a venomous snake while the Achaean fleet harbored briefly on its way to Troy. Odysseus, architect of the desertion scheme, must now return, reclaim the bow, and bring both the weapon and its owner to Troy. For a companion, he chooses Neoptolemus, the son of his slain archrival, Achilles. Neoptolemus, being young, still holds fast to the heroic virtues embodied by his dead father, and believes they can appeal to Philoctetes as a warrior. But Odysseus–knowing Philoctetes will want revenge against all the Greeks, himself in particular– convinces Neoptolemus that trickery and deceit will serve their purposes far better. In essence, he corrupts Neoptolemus, who subsequently deceives Philoctetes into relinquishing his bitterness to reenlist in the cause against Troy. The tale has an intriguing postscript: It turns out to be the corrupted Neoptolemus who, by killing King Priam at his altar during the sack of Troy, brings down a curse upon the Greeks even as they are perfecting their victory. This story suggested several themes, which I then molded to my own purposes: the role of corruption in our concept of expedience, the need of young men to prove themselves worthy in the eyes of even morally suspect elders (or especially them), and the curse of a hard-won ambition. Why El Salvador? I saw in the Greek situation a presentiment of America’s dilemma at the close of the Cold War: finally achieving unrivaled leadership of the globe, but at the same time being cursed with the hatred of millions. Though we have showered the world with aid, too often we have done so through conspicuously corrupt, repressive, even murderous regimes, where the elites in charge predictably siphoned off much of that aid into their own pockets. Why did we look the other way during the violence and thievery? The regimes in question were reliably anticommunist, crucial to our need for cheap oil, or otherwise amenable to American strategic or commercial interests. We live in a dangerous world, we are told. Hard, often unpleasant choices have to be made. It’s a difficult argument for those who have suffered under such regimes to swallow. They would consider it madness to suggest that it is envy of our preeminence, or contempt for our freedom, that causes them to view America so resentfully. Rather, they would try to get us to remember that while their hopes for self-determination, freedom, and prosperity were being crushed, America looked on with a strangely principled indifference, often accompanied by a fiercely patriotic self-congratulation, not to mention blatant hypocrisy. Not only have we failed to admit this to ourselves, but the New Right has embraced a resurgent American exceptionalism as the antidote to such moral visitations, which such conservatives consider weak and defeatist. Instead, they see a revanchist America marching boldly into the new century with unapologetic military power, uninhibited free-market capitalism, and evangelical fervor–most immediately to bring freedom to the Middle East. The New Right’s historical template for this proposed transformation is Central America–specifically El Salvador, trumpeted as “the final battleground of the Cold War,” and championed as one of our greatest foreign policy successes: the crucible in which American greatness was re-forged, banishing the ghosts of Vietnam forever. There’s a serious problem with the New Right’s formulation, however: It requires an almost hallucinatory misreading of history. Misremembering the Past In their ongoing public campaign to justify the Iraq war, many supporters and members of the Bush Administration–including both Vice President Dick Cheney and former defense secretary Donald Rumsfeld–have singled out El Salvador as a shining example of where the “forward-leaning” policy they champion has succeeded. Mr. Cheney did so during the vice presidential debates, contending that Iraq could expect the same bright future enjoyed by El Salvador, which, he claimed, is “a whale of a lot better because we held free elections.” What Mr. Cheney neglected to mention: • At the time the elections were held (1982), death squads linked to the Salvadoran security forces were murdering on average three to five hundred civilians a month. • The death squads targeted not just guerrilla supporters but priests, social workers, teachers, journalists, even members of the centrist Christian Democrats–the party that Congress forced the Reagan Administration to back, since it was the only party capable of solidifying the Salvadoran middle. • The CIA funneled money to the Christian Democrats to ensure they gained control of the constituent assembly. • Roberto D’Aubuisson, a known death squad leader, opposed the Christian Democrats as “Communists,” and launched his own bid to lead the constituent assembly, forming ARENA as the political wing of his death squad network. His bid was funded and supported by exiled oligarchs and reactionary military leaders, and managed by a prominent American public relations firm. • “Anti-fraud measures” proved intimidating. For example: ballots were cast in glass jars. Many voters, who had to provide identification, and who suspected the government was monitoring their choices, feared violent reprisal if they were observed voting “improperly.” • ARENA won thirty-six of sixty seats in the assembly, and D’Aubuisson was elected its leader. • This was perceived by all concerned as a disastrous failure for American policy. When D’Aubuisson tried to appoint one of his colleagues as assembly president, U.S. officials went to the military and threatened to cut off aid. D’Aubuisson relented, but it was the only concession he made to American demands. In short, there was American influence, money, and manipulation throughout the process, putting the lie to the whole notion the elections were “free”–though Mr. Cheney was arguably correct when he stated that “we” held them. Unfortunately, all that effort came to naught, as what America wanted from the elections lay in shambles. Even when, in the following year’s election, a great deal more money and arm-twisting resulted in Washington’s candidate being elected president, he remained powerless to reform the military, curtail the death squads, or revive the economy, measures Washington knew to be crucial to its counter-insurgency strategy. By 1987, the Reaganites decided to abandon the decimated Christian Democrats for ARENA–the party it had spent five years and millions of dollars trying to keep from power. As for Mr. Rumsfeld’s remarks, he made them in the course ... |
|||||||||||||||||||||||||||||
| Reader Reviews 1 - 8 of 8 | |||||||||||||||||||||||||||||
| Review Date |
Review Rating(5 High) |
Review Helpful to: |
Customer Review | Reviewer Info |
Permanent Link |
||||||||||||||||||||||||
| Reader Reviews Below Sorted by Newest First | |||||||||||||||||||||||||||||
| 12-09-07 | 5 | (NA) |
| Reviewer | Permalink | ||||||||||||||||||||||||
|
The trajectory of writer David Corbett's novel writing career is pretty breathtaking. If he'd been content to write pulpish crime novels like his first effort, "The Devil's Redhead," (which is very good) he would have carved a niche, probably not unlike James Elroy's. Violent, edgy, contemporary, great dialogue, "Redhead" had it all. But his second novel, "Done on a Dime," you saw the writer stretching himself. It's an uneven read, due to plotting more than anything else. But what stands out in Corbett's sophomore effort is great character development (I'm still intrigued by the Jazz waif, Nadya, who seems like she stepped right out of a Beat novel), and an underlying moral concern for the way things happen to be. It is also the novel that introduces the force-of-evil character, Bill Malvasio (Malevolent?), who features so prominently in "Blood of Paradise."
"Blood of Paradise," will be viewed as Corbett's first major novel. It's noir, it's a thriller, but it's also literature, since it steps beyond the narrower confines of genre. You can easily liken the novel to Robert Stone's work (in particular, "Flag for Sunrise"), or Graham Greene's novels. The location of the novel surprised me - El Salvador. I was also surprised to find that things are as bad as ever down there, enough so to make a rereading of Joan Dideon's "Salvador," as something more than a look at old history. The story itself centers on bodyguard Jude McManus, who is generally a good, but psychologically damaged young man, trying to dig himself out from under the sins of his crooked cop father by just doing his job and keeping things light. Unfortunately for him, his principal job is to protect a hydrologist who is investigating the viability of a soft drink factory and its impact of the area's water table. What spirals out from those seemingly mundane facts is a portrait of El Salvador that is rotten through and through, and a people and culture living on the edge while those in power feast away. But those in power can never have enough, and they see threats everywhere to their profit margin, and the hydrologist just might be a future project. Their main fixer is bad guy Bill Malvasio, who in a past life was a crooked cop along with Jude's father. Bill is basically a kind of devil, offering Jude hazy deals that will in some way wipe the slate clean. But also coming into the mix is Eileen Browning, a politically active anthropoligist (who is also, sexually, quite acrobatic). Browning serves as something of an angel of light, pulling Jude outside of his shell, helping him to see the suffering and corruption that are all around him. Corbett does a fine job pouring out a lot of recent history, without the speeches flattening out the characters. To integrate such strong political statements into a novel, and not sound like a preacher, is a very hard thing to do, but Corbett pulls it off seamlessly. And when action does occur, it's intense, and nasty. That said however, Browning's intriguing character, seemed to fade as the novel moved on, which is a shame, since Corbett seemed to invest a lot in her. But who knows? Maybe Eileen (and Nadya) will show up in future novels. And besides, the main card here is Malvasio and Jude. To tell more, would be to cheat the reader. Check it out. (Review Data Last Updated: 2008-08-22 06:02:32 EST)
|
|||||||||||||||||||||||||||||
| 10-31-07 | 5 | (NA) |
| Reviewer | Permalink | ||||||||||||||||||||||||
|
this man can write,,,in some ways its evokes Mystic River,,,albeit in El Salvador,,,the themes (redemption, revenge) are intense, and the writing is fluid,,,
(Review Data Last Updated: 2008-01-28 06:09:42 EST)
|
|||||||||||||||||||||||||||||
| 08-08-07 | 4 | 1\1 |
| Reviewer | Permalink | ||||||||||||||||||||||||
|
Inspired by the eloquent, yet deeply disturbing Greek tragedies of long ago, Blood of Paradise, is a dark novel, penned by one of today's most passionate writers. David Corbett's third novel, shines an unflinching and unapologetic light into the backrooms and back-alleys, corporate boardrooms and finally, the lofty and corrupt offices of the politicians sworn to serve and protect.
Whether defined or haunted by, his late father's choices, Jude McManus left Chicago and joined the Army. He now provides protection services for high profile executives in El Salvador. Assigned to guard Axel Odelberg, an American hydrologist, hired to evaluate the effects a proposed bottling plant expansion may have on local water supplies. The powers that be expect a "rubber stamp report", and will go to any lengths to ensure both favorable findings and total silence. A brilliant liar and master manipulator, Bill Malvasio knew Jude McManus was an easy target. Exploiting his father's memory and using their friendship as a base, Malvasio spun a story filled with half truths. He explained to Jude that an old warrant prevented him from returning to the US. He asked Jude to escort the ex-cop, Phil Strock (the third member of his father's disgraced trio) back to El Salvador. While not entirely certain of Malvasio's intentions, Jude agrees. However, he soon realizes all is not what it seems, as he finds himself in the eye of life-threatening storm fueled by greed and maintained through violence. The true extent of the danger slowly becomes apparent as the Salvadoran mob flexes its' muscle, ordering the murder of a female villager that complained her well was destroyed by the water project. Soon thereafter, an infant is kidnapped to guarantee her mother's silence. The characters are flawed, three dimensional and absolutely believable. Throughout the novel recognizing good and evil becomes more difficult, as the reader begins to question their own moral assumptions and attitudes. The plot and subplots work well together and often propel each other forward. Intricately layered and complicated, Corbett revs up the suspense and the stakes as the novel hurtles toward the conclusion. With a practiced eye for detail, Corbett's thoughts on the modern predicament are as insightful as they are chilling. Acknowledging the complexity of the politics and the difficult decisions being made by politicians, lends a realism to the novel, making it almost impossible to discern the line between fact and fiction. He weaves a myriad of seemingly disparate situations in the world - gang activity, terrorism, US foreign policy, corruption, murder, - into a seamless story that ties everything together. Exceptionally well written, with haunting depictions that capture both the beauty and the despair of a land and its people, which no longer seem so foreign or distant. Powerful, shocking and thought provoking, Blood of Paradise is a challenging read that I would recommend to all who enjoy serious thrillers. For interested readers, Corbett included a dossier at the end of the book, describing the political atmosphere of El Salvador. Happy Reading! RJ xx 3Rs-Real Reader Reviews Personal Note: A dense and complex read, I often found myself returning to previous chapters to clarify the various aspects linking the characters. (A character list was an absolute necessity.) Also, I was frustrated by the use of undefined and obscure Spanish words that could not be interpreted by the surrounding text. Dark and disturbing, David Corbett's passion is both refreshing and moving, so much so, I immediately checked out his 2003 release, "Done for a Dime" from my local library. (Review Data Last Updated: 2007-09-03 05:56:29 EST)
|
|||||||||||||||||||||||||||||
| 07-28-07 | 4 | (NA) |
| Reviewer | Permalink | ||||||||||||||||||||||||
|
David Corbett's best novel to date. Excellent feel for El Salvador and its corrupt political situation caused in part by its multi-layered relationship with the USA, the great provider and exploiter. As stated in Patrick Anderson's recent review in the Washington Post (March 12, 2007), "...El Salvador is still ruled by a few rich families who use rigged elections, corrupt police and unrelenting violence to maintain their power, and who are supported by the U.S. military-industrial complex."
As Anderson writes, "...(Corbett) clearly loves the beauty and the decency of it's working people; his book is replete with rich, sometimes poetic descriptions." Corbett sets you down in this troubled country in a way that you can only get from a book that has been researched thoroughly. The characters are well-written. Especially interesting is Corbett's deeply disturbed villain, Malvasio, one of the creepiest soldiers of fortune you're likely to meet. As Mr. Anderson writes, Blood of Paradise "is above all, serious novel. But seriousness, when combined with moral concern and novelistic talent, can produce outstanding fiction." (Review Data Last Updated: 2007-08-10 05:43:38 EST)
|
|||||||||||||||||||||||||||||
| 07-20-07 | 5 | (NA) |
| Reviewer | Permalink | ||||||||||||||||||||||||
|
Corbett's work is a thriller-reader's dream: flawed heros, colorful troubled settings, and sociopathic villians set in paradise.
(Review Data Last Updated: 2007-07-29 12:20:35 EST)
|
|||||||||||||||||||||||||||||
| 07-19-07 | 5 | (NA) |
| Reviewer | Permalink | ||||||||||||||||||||||||
|
Corbett's third portrait of evil plays out in the real world, real time setting of El Salvador, a tiny country where truth is, alas, stranger than his fictional riffs. The descriptions of place are wonderful. The plot, built on an ugly mix of American and Salvadoran motives, stirred up by unchecked greed, and fueled by mercenaries and thugs makes for a dark story. To me, it reads most like a cold war spy thriller, even though it's a story of a psychopath, some bad cops, and a lot of crooked businessmen and politicians. But there are rays of goodness, albeit vaporous at times, that kept me engaged and hopeful. I liked Corbett's end papers, his obvious desire to be a witness for truth in a country that has too many modern martyrs. This is fiction that's hard to pigeonhole as mystery or crime. As with Done for a Dime, Corbett refuses to write formula fiction - good for him!
(Review Data Last Updated: 2007-07-29 12:20:35 EST)
|
|||||||||||||||||||||||||||||
| 05-30-07 | 4 | (NA) |
| Reviewer | Permalink | ||||||||||||||||||||||||
|
I need to state at the outset that I had a bit of a problem while reading BLOOD OF PARADISE by David Corbett. It's a simple one: Corbett and I happen to have different world views. But, politics aside, this is a haunting and compelling read from beginning to end.
The novel is set almost entirely in El Salvador, a country that (depending on who you speak with) is either a Cold War success story in the face of communist insurgency or yet another example of an American foreign policy disaster. Corbett takes the latter stance and views it through the reluctant eyes of Jude McManus, an executive protection specialist who is assigned to guard Axel Odelberg in a hostile and dangerous environment. Odelberg is a hydrologist (Corbett does an exemplary job of explaining what that is and how the job is done) who is tasked with evaluating a plan for the expansion of a soft drink bottling plant. Odelberg's considerations include the effect, if any, that this will have upon the availability of water in the region, which is crucial to the impoverished residents of the area around the plant as well as to the business and political interests of the United States. Much is riding on Odelberg's report, and McManus finds himself kept busy protecting his charge, even as he is slowly and unwillingly pulled into a political maelstrom. The source of a good deal of his difficulties is Bill Malvasio, a former Chicago policeman who fled a decade before to El Salvador one step ahead of an indictment that ended the careers of a number of Chicago policemen, McManus's father among them. Malvasio enlists McManus's assistance in bringing Phil Strock, another former Chicago cop and an expert sharpshooter, down to El Salvador, ostensibly for guard duty but with more sinister intent. Where BLOOD OF PARADISE truly shines is with the creation of the murky situational undertow that Corbett creates and slowly pulls McManus toward, even as we see (or think we see) where things are heading. Corbett is an absolute master of creating a scenario leading unexpectedly to explosive violence, and the result is a work in which one is compelled to keep turning pages even as one dreads seeing what will happen next. Corbett weaves an extremely complex tapestry throughout BLOOD OF PARADISE while, interestingly enough, making McManus a devil's advocate --- a skeptic who wonders, with some merit, whether the Salvadorans' lot in life would improve regardless of who governs them. While things occasionally drag just a bit when one of the socialists who wander in and out of the novel begins an oral dissertation over tea, for the most part Corbett keeps the action moving slowly but steadily toward a series of horrifying denouements where it's difficult to sort out winners from losers --- if indeed such classifications ultimately matter. --- Reviewed by Joe Hartlaub (Review Data Last Updated: 2007-07-20 05:56:23 EST)
|
|||||||||||||||||||||||||||||
| 05-10-07 | 5 | 2\2 |
| Reviewer | Permalink | ||||||||||||||||||||||||
|
As I got into Blood of Paradise I thought this is a great story Corbett has got going here, but it's going to be tough to hold it together because he takes on so much. But he pulled it off and it's a great read. What starts with the mystery of desire and attraction quickly descends into a world of moral ambiguity and one where both personal code and the politics of El Salvador and of America are called into question. But not in a way that runs the story aground. I kept going back to this novel every night.
(Review Data Last Updated: 2007-05-31 06:39:55 EST)
|
|||||||||||||||||||||||||||||
| Reader Reviews 1 - 8 of 8 | |||||||||||||||||||||||||||||
| All Books | Arts | Biography | Click Here For An A-Z Index Of All 213 Best-Seller Subjects | Business | Children's | Comics | ||||||
| Computers | Cooking | Engineering | Entertainment | Health | History | Home | Horror | Humor | Law | Fiction | Medicine | Mystery |
| Nonfiction | Outdoors | Parenting | Professional | Reference | Religion | Romance | Science | Sci-Fi | Sports | Teens | Travel | |