101 Things I Learned in Architecture School
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| 101 Things I Learned in Architecture School | |||||||||||||||||||||||||||||
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Winning entry, General Trade Illustrated Category, in the 2008 New England Book Show sponsored by Bookbuilders of Boston.
This is a book that students of architecture will want to keep in the studio and in their backpacks. It is also a book they may want to keep out of view of their professors, for it expresses in clear and simple language things that tend to be murky and abstruse in the classroom. These 101 concise lessons in design, drawing, the creative process, and presentation--from the basics of "How to Draw a Line" to the complexities of color theory--provide a much-needed primer in architectural literacy, making concrete what too often is left nebulous or open-ended in the architecture curriculum. Each lesson utilizes a two-page format, with a brief explanation and an illustration that can range from diagrammatic to whimsical. The lesson on "How to Draw a Line" is illustrated by examples of good and bad lines; a lesson on the dangers of awkward floor level changes shows the television actor Dick Van Dyke in the midst of a pratfall; a discussion of the proportional differences between traditional and modern buildings features a drawing of a building split neatly in half between the two. Written by an architect and instructor who remembers well the fog of his own student days, 101 Things I Learned in Architecture School provides valuable guideposts for navigating the design studio and other classes in the architecture curriculum. Architecture graduates--from young designers to experienced practitioners--will turn to the book as well, for inspiration and a guide back to basics when solving a complex design problem. |
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| Reader Reviews Below Sorted by Newest First | |||||||||||||||||||||||||||||
| 04-20-08 | 4 | 1\1 |
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Great little book that takes me back to my college days. It's fun and a great conversation piece.
(Review Data Last Updated: 2008-07-02 02:31:24 EST)
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| 03-16-08 | 5 | (NA) |
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The book contains 101 ideas and concepts that are explained through text on one page and a simple -pen and ink- sketch on the opposite page. The concepts discussed vary widely from simple drawing techniques to positions of architectural theory through enlightened ideas of form and space composition. The book is a good use for students specially in 1st and 2nd years. And could work as a good reminder for graduated practitioners. But actually not a good use for researchers.
You can end reading this book in less than 20 mins. However you will need to re-read it again and again to explore the ideas more. My advice to the reader: get use of it -but- not to take it for granted... After all there are some ideas that are controversial and anyone would adapt different "accepted" positions toward it. (Review Data Last Updated: 2008-04-20 03:09:21 EST)
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| 02-10-08 | 4 | (NA) |
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Very insightful, informative and funny! A humoristic, light-hearted take on the architectural education, which sometime tends to be dry... Well, except for studios hours! Frederick's book is quick read that will quickly become any good student's basic reference to answers that sometime we're afraid to ask, such as are my graphics and texts too small on my panel? See 67. Or, is this a good idea to incorporate in my project? See 28. Or, will be a good architect? See 101.
The book's format and presentation makes it easy to grasp the idea or intention of each of the 101 things to be learned, or remembered (pending where one is in his or her architectural education). Its simple and effective drawings convey the message, just like Ching's architectural design guidebook Form, Space and Order. Frederick's book should be placed next to Ching in every student's library... may be even as its author suggests should be kept in plain view in the studio so other can use it! (Review Data Last Updated: 2008-03-16 14:31:22 EST)
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| 01-28-08 | 5 | (NA) |
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My only regret is that I didn't see this book until now. Wish I had discovered it sooner. Worth every penny.
(Review Data Last Updated: 2008-02-14 17:05:12 EST)
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| 01-27-08 | 5 | (NA) |
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A very good book. Very direct and to the point. Each page takes you on a different design concept. Easy to understand and very well done. Concepts can be used for areas other than architecture. I've recommended this to other friends already.
(Review Data Last Updated: 2008-02-14 17:05:12 EST)
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| 01-27-08 | 5 | (NA) |
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Great book with funny and very serious tips. I am an Interior Design major and I look at it for ideas as much as I can. I received it quickly and enjoyed every minute of it.
(Review Data Last Updated: 2008-02-14 17:05:12 EST)
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| 01-26-08 | 5 | 1\1 |
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I was going to call this a terrific LITTLE book, but it is simply a terrific book. When I ordered it, I didn't know what to expect, but figured the $10 wouldn't kill me. Then I found some sample pages on the publisher's website and thought it looked really cool. When it arrived, I read through it right away (doesn't take too long), and have been rereading it ever since. The format is perfect for rereading -- no chapters, just 101 illustrated lessons I can look at in any order. Whichever one I open it to, I feel like I either learn something new or am reminded of something I need to better integrate into my professional practice. Every architecture student should have this book -- it is more helpful than Ching's, even though much shorter. Every architect should probably have one too.
(Review Data Last Updated: 2008-02-14 17:05:12 EST)
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| 01-04-08 | 5 | 3\3 |
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One of those fantastic books that makes you feel smarter for reading it. The 101 little rules or principles that the author distills from his time as an architect are undoubtedly of use to an architect, but are also mind-openers for any curious and design- or art- inclined person.
Each principle is stated in a sentence or two, with an accompanying illustration. Some are specific little rules (the pointlessness of spitting a room with a single step; people are wider in the Winter); some are perspective shaping (about negative space; about meandering ways of getting to somewhere often beating direct ways). The illustrations are elegant and compliment each principle perfectly. You'll find yourself idling over each, as the lessons behind the lessons sink in. If you have any asthetic inclinations but find yourself dealing too much with words, open this beautiful little book and feel those old synapses firing up. Great gift too. (Review Data Last Updated: 2008-02-14 17:05:12 EST)
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| 11-20-07 | 5 | 2\2 |
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"101 Things I Learned in Architecture School" is stealth information for the spatially challenged (me.) Each lesson is presented in a two-page format: line drawings and text. The book is written in direct and unpretentious style, making it accessible to professionals as well as the general reader, and the drawings are wonderful. In format, approach, and information, this book reminds me of Norton Juster's forgotten 1963 classic "The Dot and the Line: A Romance in Lower Mathematics."
(Review Data Last Updated: 2008-01-05 10:55:42 EST)
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| 10-31-07 | 5 | 1\1 |
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I am an architecture student, and with every project in studio, this book is a reference to keep my mind in check. This book should be in every architecture students hands. Simple as that, if your an architecture student this $12 that the book costs is the best $12 you will ever spend.
(Review Data Last Updated: 2007-11-20 13:35:58 EST)
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| 09-22-07 | 5 | 4\4 |
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I don't remember ever having a textbook for design studio - undoubtedly because this book hadn't been published yet. If it had, I would have had a wonderful little book that breaks down five years worth of architectural wisdom into 101 pages. I recommend reading it (about a ten minute read) before and a couple of times during the design process to refocus yourself. If nothing else, it should be required reading for first year students because it will teach you to speak architect. 'Parti' 'Figure/Ground' 'Positive Space' 'Negative Space' and all the other jargon architects tend to use are all defined here.
The book contains advice on both the technical and the intellectual. Hints for everything from lettering to post modern theory share page space with reminders as varied as 'design in section' to 'if you can't explain your design in terms your grandmother understands, you don't understand your own design.' Nearly everything in the book is a hit. Even the cover is made from chip board. If you're a poor architecture student, scrape together some coffee money and get a copy. If you're already an architect, get a copy and remember a time before design problems were strip malls and warehouses. (Review Data Last Updated: 2007-10-31 09:36:02 EST)
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