"Via Dolorosa" is a play in the sense that it has been performed on the stage. Who besides David Hare himself would dare perform it, I can't say. It would take guts. Who would finance such a performance? Anyway, this is an essay for the stage. I thought it very interesting, chiefly because the New York audience drew Isrealis who were enraptured by Hare, sat bolt upright, and reacted with every inch of their souls. This could and should have been done in a lecture hall at the U.N., not B'Way but ... It is a fascinating exploration and almost as interesting as Tony Kushner's play on Afghanistan that opens with a lengthy monologue, riveting, that blossoms into a dull play. Here the monologue ends. Hare spares us the dull play.