Written and published in the 1950s and 1960s, this slender volume of stories by Ghassan Kananfani speaks of the displacement of Palestinians in ways that are timeless and still fresh today. They speak of loss more than hope, and although the author was an activist and spokesman for the Palestinian Popular Front, he seemed in these writings to simply bring attention to the human cost of political struggle in the Middle East. He himself was killed by a car bomb in Beirut in 1972.

The most compelling of these stories is the novella "Men in the Sun," which tells of the efforts of three men being smuggled into Kuwait from Iraq and the truck driver who has offered to help them across the border. The fierce desert heat represents the terrible odds against their ever being able to escape the consequences of war and loss of homeland. But this is only one theme among many, as Kananfani explores traits of Arab character which seem to intensify inner conflict and erode the ability to act purposefully. The story "If You Were a Horse" concerns itself with superstition, fear, and overwhelming regret that divides father from son and leads to misfortune. The book includes an informative introduction by Hilary Kilpatrick.

Written and published in the 1950s and 1960s, this slender volume of stories by Ghassan Kananfani speaks of the displacement of Palestinians in ways that are timeless and still fresh today. They speak of loss more than hope, and although the author was an activist and spokesman for the Palestinian Popular Front, he seemed in these writings to simply bring attention to the human cost of political struggle in the Middle East. He himself was killed by a car bomb in Beirut in 1972.

The most compelling of these stories is the novella "Men in the Sun," which tells of the efforts of three men being smuggled into Kuwait from Iraq and the truck driver who has offered to help them across the border. The fierce desert heat represents the terrible odds against their ever being able to escape the consequences of war and loss of homeland. But this is only one theme among many, as Kananfani explores traits of Arab character which seem to intensify inner conflict and erode the ability to act purposefully. The story "If You Were a Horse" concerns itself with superstition, fear, and overwhelming regret that divides father from son and leads to misfortune. The book includes an informative introduction by Hilary Kilpatrick.

This book gives you an idea of the suffering and neglection of a nation, on the watch of the whole civilized world.

This collection of short stories is a brief, but poignant look into the life of people living in Palestine. At the same time, the stark writing illustrates many universal themes forcing readers to reevaluate life as they know it. The writing is plain and easy to read, but ultimately, deep and impossible to dismiss.

The stories were great. Well written, poignant, the most so being the one involving the tank.

"Men in the sun", a novel by Ghassan Kanafani, is one of the most breathtaking realities that the Palestinian people lived in the modern history we know. "Men in the sun" is neither a story about Yasser Arafat`s legacy and his PLO's sense of politics nor a debate on Oslo or Madrid agreement. The novel is a piece of art that visualized the Palestinian tragedy from an aspect of extreme reality that has been forgotten or marginalized at any time and place frames.

It is the story of three men's quest for a better life. They plan to migrate from the occupation cage to a new "promise land" where they meet the promised demise in the desert, the home of the original Arabs and Bedouin.

The dream of the three Men is the dream of every man who loses the feeling of being at home at some time. The work to achieve that dream requires a struggle with harsh acquired values of life. The result is not guaranteed.

Struggle, suffer, dreams, hope, fatigue, thirst, and death will form an amalgam that would describe the Palestinian identity which has been evolving during the last decades.

I wanted to write more about the details but you would like to read it yourself. The symbolism in this story is just intriguing. In fact, the trends can symbolize the migration of any man to any "self-imposed exile", where "enforced dreams" replace the simple -but lost- passion, love and happiness to form a complex and bitter reality.

The novel ends with a beautiful and so influential paragraph that tries to raise the question of why the 3 men (main figures of the novel) did not try to knock on the walls of their symbolic "prison" (Empty tanker) or at least shout to ask for help.
"Why? Why? Why?", The "Why" of Kanafani while concluding is: why did not some of the oppressed people reject the abject reality? Why did not they fight for their life and freedom? Could it be that they were so hopeless and tired, or were they so afraid from going back to the occupied home? Did they prefer death to losing their dream?. The questions were asked by Kanafani in the past to project on present exprience and to reflect the suffer of the palestinean-age on the future memory.

This book contains a novella as well as several short stories by the prominent Palestinian author Ghassan Kanafani. Kanafani is known in the Arab world as a literary master, and "Men in the Sun" is deemed by many to be his masterpiece. The book was a tremendous pleasure to read and at the same time intensely thought-provoking. Kanafani's original writing style is brought out beautifully in this excellent translation. In these stories, Kanafani experiments with various literary techniques that were revolutionary in the world of literature at their time (1960s). I particularly enjoy the twists of plot at the end of each story, and how the very last sentence forces me to re-think and re-evaluate my entire understanding of the piece. Seeped in the author's struggle for freedom and for a homeland, these stories reflect a deep understanding of human relationships and the human condition. Yet despite (or perhaps because of) this depth, the main characters tend to always be ordinary human beings - usually from the lower classes. Another feature of "Men in the Sun" is the variation of voice and perspective from paragraph to paragraph. For a moment we are in the head of one character, an old man crossing the desert to Kuwait. The next we're taken back in time to 1948, when that man was forced to leave his country by the ravages of war. Then we're transplanted into the shoes of another character, a young man hitching a ride from Jordan to Iraq. All this is done smoothly enough not to interrupt the narrative, but instead, the perspective of the plot wanders as thoughts naturally wander in one's mind. Truly Kanafani was a master of literary techniques. Few have been able to pack so many ideas and characterization and so much change into a short story.