I read this book twice both in Persian & English and found lots of historical errors in the book such as claims that PM Mossadeq was democratically elected back in 1950s which is totally wrong. PM Mossadeq was APPOINTED as PM by the King of Iran, Shah Reza Pahlavi in 1950 and when ordered to quit, the Shah had to execute a UK-US backed coup against him.... Errors like that are enormous in this book.

Everyone interested in understanding what is going on in Iraq, Iran and the rest of the middle east should read this book. It provides a
succinct, informed history of rulers, dynasties, cultures, etc. that affect today's life in this area. A super read! The author literally immersed himself in these cultures at great risk in order to provide an accurate portrayal.

The book is a montage of images from the Shah's reign and the revolution. A good little book for understanding why the Shah was who he was, and why he deserved his fate.

Iran under the Shah was a totalitarian society. It was marked by indiscriminate terror, a single political party with membership mandatory for job advancement, a massive informant network, quotas for finding dissidents, an inefficient command economy driven by the Shah's oil money, and a total disregard for human rights.

The only space the Shah didn't control was inside the Mosques. They became a refuge for people, and ultimately a base for revolution.

I wonder how the Shah's fate influenced Saddam Hussein?

A documentary of the 27th regime collapse Kapuscinski has witnessed himself. This time it is the Shah of Iran in 1979.

K. writes of a fear that creates a boundary for thinking; a thinking that involves only terms of basic materials:

"The great thing about the concrete is that it has its own clearly demarcated armed frontiers with warning bells along them. When a mind immersed in the concrete begins to approach that border, the bells warn that just beyond lies the field of treacherous general ideas, undesirable reflections, and syntheses. At the sound of this signal the cautious mind recoils and drives back into the concrete" (Kapuscinski, 84).

K. writes of a conversation he has with a Persian rug dealer:

"It is all a question of taste, he tells me: The most inportant thing, sir, is to have taste. The world would look far different if a few more people had a drop more taste. In all horrors (for he does call them horrors), like lying, treachery, theft, and informing, he distinguishes a common denominator-such things are done by people with no taste" (Kapuscinski, 151).

Americans should not glance over this book because it was published in 1979. Its themes of fear and control on the one hand, and decency and taste on the other hand, are very relevent to Americans in 2006.

Polish journalist Ryszard Kapuscinski is arguably the most courageous non-fiction author on geopolitics of our time. In this book he forcefully but impartially narrates the story of the reign of the last shah of Iran. The shah was in reality a corrupt and tyrannical puppet ruler who was placed on the throne by the US, after the CIA staged a shameful coup d'etat against Mohammed Mossadegh, the progressive, democratically-elected prime minister.

Americans should make no mistake: Mossadegh's removal was the root cause for the tremendous animosity most Iranians have felt towards the US for decades. That animosity was only increased by subsequent events, and it played a large role in fostering a sense in Iran that the US is the enemey. It was an essential, albeit indirect, factor in the overthrow of the Shah, in the embassy hostage crisis, and in their current campaign to obtain nuclear weapons.

Ironically, while the enmity between the US and Iran was initially caused by one worthless son of a president, namely Kermit Roosevelt, who was the chief organizer of the coup against Mossadegh, now it is being aggravated by another, George W. Bush.

A final word: potential readers should not be deterred by the relatively low rating of this book. That rating is obviously the product of many biased reviews by Beverly Hills Iranians, who were the very people who supported the shah and were enriched by his corrupt regime. Just take a peek at Kapuscinski's other books: they all have near five-star ratings.

After reading a couple of Kapuscinski's works, the gold standard in my mind continues to be 'Another Day of Life' (his tale of the Angolan conflict). Still, though, it's tough to belittle in any fashion the work of a man who - as he notes late in the book - has just witnessed his 27th revolution in 'the Third World' (and I want to make clear it is the author, not the reviewer, that consigned the Iran of 1979 - 1980 to that category).

This short book (no more than a couple of hours' read) does have a some insightful things to say about power, most notably how to abuse it, and how to squander it. And, for those wondering how Iran could shake off the shackles of plutocracy/kleptocracy and plunge into theocracy, Kapuscinski pithily comments:

"The Shah left people a choice between Savak and the mullahs. And they chose the mullahs...It is not always the best people that emerge from hiding...but often those that have proven themselves strongest, not always those who will create new values but rather those whose thick skin and internal resiliance have ensured their survival."

Towards the end of the book (originally published in Polish in 1982 and first translated into English in 1985), pessimism sets in with Kapuscinski as he notes "the conservative hardliners gradually gained the upper hand over the enlightened and open ones." But, as he points out "a democracy cannot be imposed by force, the majority must favor it, yet the majority wanted what Khomeini wanted - an Islamic republic."

This is the best case study I have ever read of how absolute power drains away. Kapuscinski's "I am a camera" technique gives voices to many different voices of the Islamic revolution in Iran, but the best part of the book is the way it demonstrates the folly and sheer bad timing of the Shah. This book has a kind of torque: as the Shah's reign gets closer to the end, events seem to speed up. The Shah and his circle must make more decisions more rapidly, and they come up short.

Kapuscinksi's eye for the absurd detail and ear for the casual but prescient remark are used to beautiful effect in this book.

An outstanding first-hand account of the events and causes of the Iranian revolution. I lived through those days and the vivid nature of this book brings those days alive. Most people will judge this book in accordance to their political opinion of the revolution and its aftermath, but, leaving that aside, the book is an excellent account of the snowballing events that took place.

Kapuscinski was born in Poland in the 1930s and lived through World War II. He would go on to write for Poland's national news service (their version of the AP) as a foreign correspondent. He covered the "little wars," the insurgencies, revolutions, and coups that are barely reported in the western media. His point of view is fascinating: a man living behind the Iron Curtain serves his country by reporting on terrifying conflicts in the most inhospitable parts of the world. When you read Kapuscinski's work you may at first feel like something is missing, and then you realize that what's missing is a Western perspective and the presumption and detachment that comes with it. Kapuscinski, like no other writer I've read, is able to delve into the psyche of his subjects and produce remarkable insights about their nature and the nature of their oppression. Which isn't to say that his writing is dry. More often than not, the episodes he relates are quite harrowing. Shah of Shahs is no exception. Quite unexpectedly, I found this book about the Shah and his overthrow by Ayatollah Khomenei to be very relevant to today's conflicts, specifically, the difficulties inherent in replacing a brutal and oppressive regime without falling prey to extremism. His discussion of the horrors of the Shah's secret police, SAVAK, is astonishing, and his insight into the vulnerability of the Iranians as they attempted to move on from decades of oppression is fascinating. In assessing the difficulties of undoing the damage of a regime like the Shah's, the parallels to today's struggles in Iraq are hard to ignore, and, as such, the book was especially interesting to read at this moment in history. I have one book by Kapuscinski left to read, and after that, I can only hope that some benevolent publisher decides to put out more of his work.

This book, although claiming to show you the inside scoop on what went on in revolutionary Iran, shares no insight, no secrets, no information, and no detail about anything relevant. The web of lies that led to the 79 revolution are much thicker than this entire book and the imagination of one author who thinks he knows it all. There are much better books out there. Don't even think about wasting your money.

This is the first of Kapucinski's books that I've read and it takes a little while to get used to his style, but once you've settled in, it is quite entertaining. The book is historical, but written by a journalist, so you expect the style to fall somewhere between that of an historian and a journalist. Suprisingly Shah of Shahs reads more like a novel.

The book is divided into three sections: One which introduces the unrest in Iran in the 1970s, another of descriptions of photographs and recollections from notes and interviews, and lastly section called the "The Dead Flame" that hints at what is coming the wake of revolution. It poignantly shows through the author's own experience (Iran's revolution was the 27th that he'd witnessed) that things were no different there than they were in a multitude of Latin American and African countries.

Kapuscinski's style is seductive and addictive. I know I will be reading more of his work in the future.

Ryszard's book 'The Shah of Shahs' tells me far more about the country during that turbulent time than drier history books or opiniated polemics on the politics of the region. His style of letting the people and events around him speak for themselves is illuminating. He has an empathic and observant eye, and a knack for being in the right place.
Most important of all, he sees these world shaping events for their effects on the people who must live, suffer or die through them as though THEY are what matters, and not the events or dictator biographies themselves. This is a humane and enlightened viewpoint, and ends up teaching me more about what happened during those times than other approaches.
There is a beauty and truthfulness in this style of journalism of immersion and talking to people that helps to make sense of the many conflicting arguments and perspectives of complex issues. I have nothing but praise for the man and his books, and you would do well to read them yourself

I enjoyed reading Shah of Shahs. It's written in a compelling format; a frame story about a reporter organizing his material or cleaning up his hotel room. Holding at arm's length his research material Kapuscinski first describes what he's got; a photo or a newspaper cliping. Then he shares local intamacies telling how he came across this hinge of history. Finally an anecdote about some significant event. [On to the next note or photo.] In this way we learn details about the shah, his opponents and successors, slip into the atmosphere of the revolution, and begin to understand some of its causes and problems. It is not a complete account of the events leading to the Iranian revolution. Look elsewhere for that. In Shah of Shahs you'll find a brief narrative that fleshes out events and adds humanity to the details of history.

This is a very interesting book. Since there seems to be some confusion about it, let me make clear what this book is NOT; if you are looking for any of the following you should look elsewhere:
- A blow by blow account of the shah's life and the revolution with 30 references per 'fact'.
- A book about Americans. This book, being what it is, is about ehm...Iranians.
- Moral indignation about any of the protagonists whether the revolutionaries or the Shah or the Americans.

What this is, is a feelings book, a mood book. What this book will give you a feel for(according to the authors interpretation of course!) is:
- The nature of Iranian life before the oil boom
- The nature of the Shah and how he perhaps saw himself.
- The immense physical and physcological changes the oil boom brought to the region
- The Shah's tragicomic efforts to modernize.
- How Iranians saw themselves, the backwardness and the new modernity entering the land.
- The nature of life under the Shah.
- What would be the mood during the eventful days leading upto the revolution.
- Why these revolutions(Kapuscinski's 27th!) invariably fall apart, why those who could produce positive change invariably get shunted aside.
- What it might take to produce positive change.

This is a very good book. Kapuscinski makes some excellent observations. He is very perceptive and has the habit of sifting through the fog, to the root of the subject. Only gripe would be that the photographs should have been printed in the first section on Daguerrotypes, and sometimes his writing style gets a little too cute, and tends to lapse into hyperbolic metaphor.

I really enjoy this style of non-fiction. Kapuscinski describes photographs of different events, summarizes his meetings with different people and describes some of his time in Iran and then sprinkles in the "history." This style works very well for describing a revolution and the events leading up to a revolution. I also enjoyed Kapuscinski's discussion on how revolution develops and the sluggishness afterwards. Afterall he should know since this was his 27th!