The Script-Selling Game: A Hollywood Insider's Look at Getting Your Script Sold and Produced / By Kathie Fong Yoneda
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| The Script-Selling Game: A Hollywood Insider's Look at Getting Your Script Sold and Produced / By Kathie Fong Yoneda | |||||||||||||||||||||||||||||
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Explains the processes of developing, pitching, and submitting stories. The book includes such unique information as a 10-point checklist for a completed script, the eight most common reasons why a script can be rejected, what really happens to a script once it's submitted, how to navigate within the industry, and much more.
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| 05-19-07 | 4 | (NA) |
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An industry veteran of 25 years, Kathie Fong Yoneda is both a story analyst at Paramount and a script consultant. Her background as a development executive gives her an excellent perspective for helping screenwriters can break down the gates to Hollywood. And this book aims to do just that.
The book is divided into four major parts: working on the script, meetings and pitches, submissions and relationships. It is a very clearly structured guide to the do's and don'ts for writers looking for their breakthrough (hint: the first step is to WRITE A GREAT SCRIPT!). Yonada includes advice on how to behave towards executives, how to find an agent, the special vocabulary used in Hollywood, how to start a writers group, even how to prepare for a conference. All of this is written in a clear manner, making the book a very useful reference. The downside to this is that most of this information is out there already. If you read screenwriting magazines and keep up with recent books on the business side of screenwriting, there will be very little here you don't know already. Moreover, the book is very "pro-system" -- there is no criticism of the way things are done, and the advice is very much "mainstream" common knowledge. I don't think this book has very much to offer veteran writers who are already well acquainted with the vagaries of getting their scripts through the Hollywood maze. For writers who are starting out, however, the book will serve very well to inform them about the basics of getting your script sold to Hollywood. (Review Data Last Updated: 2007-09-07 09:04:23 EST)
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| 05-19-07 | 4 | (NA) |
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An industry veteran of 25 years, Kathie Fong Yoneda is both a story analyst at Paramount and a script consultant. Her background as a development executive gives her an excellent perspective for helping screenwriters can break down the gates to Hollywood. And this book aims to do just that.
The book is divided into four major parts: working on the script, meetings and pitches, submissions and relationships. It is a very clearly structured guide to the do's and don'ts for writers looking for their breakthrough (hint: the first step is to WRITE A GREAT SCRIPT!). Yonada includes advice on how to behave towards executives, how to find an agent, the special vocabulary used in Hollywood, how to start a writers group, even how to prepare for a conference. All of this is written in a clear manner, making the book a very useful reference. The downside to this is that most of this information is out there already. If you read screenwriting magazines and keep up with recent books on the business side of screenwriting, there will be very little here you don't know already. Moreover, the book is very "pro-system" -- there is no criticism of the way things are done, and the advice is very much "mainstream" common knowledge. I don't think this book has very much to offer veteran writers who are already well acquainted with the vagaries of getting their scripts through the Hollywood maze. For writers who are starting out, however, the book will serve very well to inform them about the basics of getting your script sold to Hollywood. (Review Data Last Updated: 2008-04-26 08:27:14 EST)
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| 05-18-07 | 4 | 2\2 |
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An industry veteran of 25 years, Kathie Fong Yoneda is both a story analyst at Paramount and a script consultant. Her background as a development executive gives her an excellent perspective for helping screenwriters can break down the gates to Hollywood. And this book aims to do just that.
The book is divided into four major parts: working on the script, meetings and pitches, submissions and relationships. It is a very clearly structured guide to the do's and don'ts for writers looking for their breakthrough (hint: the first step is to WRITE A GREAT SCRIPT!). Yonada includes advice on how to behave towards executives, how to find an agent, the special vocabulary used in Hollywood, how to start a writers group, even how to prepare for a conference. All of this is written in a clear manner, making the book a very useful reference. The downside to this is that most of this information is out there already. If you read screenwriting magazines and keep up with recent books on the business side of screenwriting, there will be very little here you don't know already. Moreover, the book is very "pro-system" -- there is no criticism of the way things are done, and the advice is very much "mainstream" common knowledge. I don't think this book has very much to offer veteran writers who are already well acquainted with the vagaries of getting their scripts through the Hollywood maze. For writers who are starting out, however, the book will serve very well to inform them about the basics of getting your script sold to Hollywood. (Review Data Last Updated: 2008-08-29 08:57:11 EST)
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| 05-18-07 | 4 | 4\4 |
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An industry veteran of 25 years, Kathie Fong Yoneda is both a story analyst at Paramount and a script consultant. Her background as a development executive gives her an excellent perspective for helping screenwriters can break down the gates to Hollywood. And this book aims to do just that.
The book is divided into four major parts: working on the script, meetings and pitches, submissions and relationships. It is a very clearly structured guide to the do's and don'ts for writers looking for their breakthrough (hint: the first step is to WRITE A GREAT SCRIPT!). Yonada includes advice on how to behave towards executives, how to find an agent, the special vocabulary used in Hollywood, how to start a writers group, even how to prepare for a conference. All of this is written in a clear manner, making the book a very useful reference. The downside to this is that most of this information is out there already. If you read screenwriting magazines and keep up with recent books on the business side of screenwriting, there will be very little here you don't know already. Moreover, the book is very "pro-system" -- there is no criticism of the way things are done, and the advice is very much "mainstream" common knowledge. I don't think this book has very much to offer veteran writers who are already well acquainted with the vagaries of getting their scripts through the Hollywood maze. For writers who are starting out, however, the book will serve very well to inform them about the basics of getting your script sold to Hollywood. (Review Data Last Updated: 2008-11-30 09:40:34 EST)
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| 09-13-06 | 5 | 1\1 |
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After writing my first screenplay, I was stuck on how to sell it. I have ran my own business for over tens years and have a natural flare for marketing - thinking that selling a script would be commonsense WRONG! After reading The Script Selling Game I was blown away by the fantastic real life tips and jargon given. It's motivated me more than ever to see my projects on the silver screen. IF YOU ARE SERIOUS ABOUT breaking into Hollywood - You MUST BUY THIS BOOK! It's easy-to-read and only an insider would know how to write it's contents.
(Review Data Last Updated: 2007-07-07 08:59:36 EST)
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| 09-05-06 | 5 | (NA) |
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I loved this little book! Not only was it a quick read, but it was also filled with a variety of solidly helpful information for new and experienced screenwriters. I found the "10 Point Checklist for Completed Scripts", the "Big Eight" and the section on pitching particularly useful and now put the information to use on every project. The book is certainly worth more than you pay for it!!
(Review Data Last Updated: 2007-07-07 08:59:36 EST)
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| 10-10-05 | 5 | 1\3 |
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The book never forgot who was reading it. If you are at a point in your career where you need guidance in what to do and what's important, this book offers you that. Kathie Yoneda, I feel, just got the balance right between fact, figures and emotion. Kathie actually cares.
(Review Data Last Updated: 2007-07-07 08:59:36 EST)
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| 08-13-05 | 5 | 2\5 |
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The Script-Selling Game is your "Biedecker's", your "Fodor's", or your "Lonely Planet" guide to the exotic, exciting, sometimes confusing, sometimes dangerous yet ultimately rewarding territory of Hollywood Script Sales.
Kathie Fong Yoneda has not only explored this territory, she has actually carved out, tamed, and settled a lot of it in her years as a studio executive. Her expertise in the special jargon, the specific tools, and the appropriate approaches will help you craft an effective presentation of your unique creative project, be it a feature film, a TV series, or any other media production. Read Kathie's book. Smile, frown, gasp.... Yes, Hollywood can be just as she says. It's a closed world unless you have an interpreter and a guidebook. Thank goodness hers is accessible, informative, specific, and comforting. Well then, follow her guidelines, learn to speak the language, do the currency exchange from creativity-to-commerciality, and watch the barriers go down and the doors open up for you. (Review Data Last Updated: 2007-07-07 08:59:36 EST)
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| 08-26-03 | 5 | 3\4 |
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"The Script-Selling Game" is a "must have" not only for screenwriters, but also for novelists and narrative non-fiction writers who are interested in seeing their books made into films. Fong-Yoneda provides step-by-step information on essentials such as how to create high-impact log lines, compelling pitches, and effective marketing techniques. "The Script-Selling Game" helps authors to turn dreams of having their books optioned for film into reality."
(Review Data Last Updated: 2007-07-07 08:59:36 EST)
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