Like a classic old movie that you love in spite (or because of?) its in old black and white, the obvious back-lot sets, and no super-realistic surround sound, this collection of stories shows its age but wears it well.

If Dashiell Hammett is the D. W. Griffith of hard-boiled detective stories, Chandler is the Alfred Hitchcock.

Like a classic old movie that you love in spite (or because of?) its in old black and white, the obvious back-lot sets, and no super-realistic surround sound, this collection of stories shows its age but wears it well.

If Dashiell Hammett is the D. W. Griffith of hard-boiled detective stories, Chandler is the Alfred Hitchcock.

(Kindle version review) One of my favorite writers and collections, but this is a very poor format ebook. The OCR-related typos are very annoying - they aren't uniform, it's as though several pages, scattered through the book, weren't edited or checked at all.

I have reviewed Raymond Chandler's seven full Phillip Marlowe epics elsewhere in this space. For those who doubt that a mere plebian detective in a once seedy genre can hold your attention and win your admiration as very, very good literature then try these four short pieces to work up the 'big' boys. You will not be disappointed. Moreover, you will get a fair peek at what makes Marlowe tick-his sense of honor, his doggedness in the face of adversity and his tilting after windmills when he gets his teeth in a case. And it does not hurt if there is a good-looking 'dame' in the bargain.

If none of the above convinces you then get this book for the preface by the master Chandler himself about his take, circa 1950, on the meaning of the detective genre as literature. As we know his special pleading then is now the wisdom of the academy.

ON BECOMING PHILLIP MARLOWE

Apparently there are many, many editions of this work. Above I have reviewed the one that has Chandler's introduction. Since then I have found a copy under the same title that has 12 stories in it many of which are different from the above. If you can find it- Vintage Paperback-1988- you will be justly rewarded because what you will get are snatches of stories with various charcters, locales, named detectives and different ending that will later go on to become The Big Sleep, Farewell, My Lovely and Lady in the Lake. Get it if you can, if for no other reason than to see how the master noir detective writer moved the work forward. Amazing.

I have reviewed Raymond Chandler's seven full Phillip Marlowe epics elsewhere in this space. For those who doubt that a mere plebian detective in a once seedy genre can hold your attention and win your admiration as very, very good literature then try these four short pieces to work up the 'big' boys. You will not be disappointed. Moreover, you will get a fair peek at what makes Marlowe tick-his sense of honor, his doggedness in the face of adversity and his tilting after windmills when he gets his teeth in a case. And it does not hurt if there is a good-looking 'dame' in the bargain.

If none of the above convinces you then get this book for the preface by the master Chandler himself about his take, circa 1950, on the meaning of the detective genre as literature. As we know his special pleading then is now the wisdom of the academy.

The title of this review is from the introduction to "Trouble Is My Business." But Raymond Chandler never had doubts about his writing. He once said, "Don't ever write anything you don't like yourself and if you do like it, don't take anyone's advice about changing it. They just don't know." Thankfully he took his own advice and this book of short stories by the master of us all will illustrate just how good the so-called pulp writing was back then, back in what was truly the golden age of crime fiction.

Chandler fans reading this book for the first time will have many "deja vu" moments. The book contains four of the twenty short stories written by Chandler in the 1930s that were warm ups for the seven novels that followed. Chandler wrote detective mystery stories, and became famous for seven novels and a number of Hollywood screen plays, mostly about crime and private detectives in the "film noir" genre of Hollywood black and white films, or what is called LA "pulp fiction". Far from being an ordinary writer of cheap crime stories, Chandler became one of America's best writers from the mid 20th century.

Chandler was a Los Angeles accountant turned writer and he developed his own careful writing style. He started by first analysing other works, such as articles in the Black Mask mystery magazine. He used those stories plus local newspaper crime articles for plot ideas. He would set some of his stories in the fictional ocean side town of Bay City which is really Santa Monica, or set his stories in west Los Angeles, or other parts of southern California. He lived in Santa Monica after being fired from his oil executive job for drinking in the 1930s. He detested the place and moved into LA proper when he became wealthy as a screenplay writer in the early 1940s while working at Paramount. In the late 1940s he moved to La Jolla, just north of San Diego. Chandler started with short fiction pieces in the 1930s and then graduated to novels in 1938-39. From the early novels he was hired to write screen plays and eventually he wrote or created 59 works including stories, screenplays, and novels. His novels with the private Detective Phillip Marlowe brought him fame including the Bogart-Bacall movie The Big Sleep.

This book contains four short stories each about 50 to 60 pages long from the 1930s. These are a warm ups to his seven novels and screenplays that followed. There are plot elements and prose that are almost a duplicate of some of the later novels. For example, the second story Finger Man has scenes and references that are almost directly inserted into The Big Sleep (1939) and Farwewell, My Lovely (1940). For Chandler lovers like myself, it is like eating chocolates to go back and be able to read these early works. Also Chandler has a four page introduction where he makes a number of comments on his writing style and philosophy at the front of the book. Trouble is my Business is the first of the four short stories.

His career did not take off until after he had written three or four novels and started to do screenplays in the mid-1940s. He was lucky in that he was able to write the screenplays and make a lot of money. He became famous for the screenplays, but simultaneously, he rose to further fame by the growth in popularity of paperback books in the 1940s. As a result, millions of his Philip Marlowe detective novels were sold and after just a few years he had moved from a run down flat in Santa Monica to a large house with an ocean view beside the Kellog family in La Jolla. He is now recognised as one of America's best writers from the 1930s through 1940s era. If you get a chance, have a look at the movie Double Indemnity, where Chandler co-wrote the screenplay with Billy Wilder at Paramount - his first attempt at this type of writing - and he and Wilder were nominated for an Oscar but they did not win. I think that is an excellent film, and it is generally regarded as one of the best films of the period.

His technique was to pull old stories apart, then change them, then re-write them as short stories, and then take that work and extend it, modify it again a second or third time or even more, and finally put together complete novels. He would take six months to write a short story - as found in the present collection, while some other mystery writers wrote a complete novel in a week - by dictation. He was not big on plots, but more of a craftsman on the individual scenes and the prose, especially descriptions of the people. He said that it took him two years to write a short description of a person getting up from a table and walking out of a room. So there is a high level of refinement and a certain style that he was able to develop as a result of this writing process. This technique is not new. Shakespeare himself used this technique in virtually every play, taking old myths, stories, and historical accounts such as King Lear. He would break them apart, change them, and make new works with new twists, turns, and addnew characters; his last play The Tempest is his thought to be his only completely original play. Chandler used to joke that if Shakespeare was alive, he would be a Hollywood writer. Chandler is a little more obvious in that some of the prose in the seven novels are almost lifted from the early works - in part because Chandler wrote only one half page increments at a time, and kept those half page writings on file to use as source materials for later works. His aim was to make each segment as complate as possible, but some of his early short stories are similar to and have almost identical names to the full novels.

In any case, this is a book that is not to be missed by Chandler fans and it is simply excellent for anyone else.

Trouble Is My Business, by Raymond Chandler

These four short stories were taken from the original book "The Simple Art of Murder". They are about his fictional private detective Phillip Marlowe who is from Los Angeles. The "Continental Op" was a hard-boiled gritty detective. Phillip Marlowe speaks in a witty manner that show the erudition of his author, and may explain his appeal in literary circle. Marlow drinks like a fish (to match the author?). The slang used has a short shelf life. You can decide if this is more realistic.

"Trouble Is My Business" tells of a job where Marlowe has to break up the romance between a wealthy heir and a showgirl. This ends in a tragedy for the powerful millionaire that hired Marlowe. (Why couldn't Marlowe notice the tail when he went to visit the Questioned Document Examiner?) Does this story echo some Shakespearean tragedy?
"Finger Man" tells how a crooked politician tries to get even with Marlowe for his testimony. A man hires Marlowe to act as his bodyguard when he visits a gambling house. The man is found dead, his winnings wind up in Marlowe's safe. This typical detective story ends with the guilty dead or in jail; except for the red-head.
"Goldfish" tells how Marlowe is hired to recover stolen property. The company that insured the pearls offers a reward. The man with the lead is found dead. More difficulties follow. Another pair try to find the pearls. Marlowe finds the paroled thief. (If someone lives in an area, do they need a map to find a house?) The evil pair are neutralized, and Marlowe finds the hidden pearls.
"Red Wind" begins with Marlowe drinking a beer at a bar, watching another man drink rye. A stranger walks in for a drink. The rye drinker suddenly shoots him, and walks out the door. Now the mystery begins: strangers pop up, then disappear. Coincidences that are part of the story appear. The ending has an "O. Henry" touch. Illusions fall, and reveal a sad reality. [This is the most dramatic story in this book.]

I bought a dog-eared copy of this collection ("Trouble is My Business") at a book sale for $1.50 a year ago. The copy I have is thick with 12 stories. I bought this copy of "Trouble is my Business" to have a better copy, but was disappointed to discover that it had been whittled down to only the final four Marlowe stories. My question is, what the hell happened to the first 8 and why is Amazon.com still describing this as a collection of 12 when there are merely four? That's not jake, fellas.