The format is very evocative. It's a voyeuristic look at the letters and postcards between the dramatis personae. We actually open the envelopes and read their mail. It gives a sense of naughtiness - "Is it OK for me to do this?" It's the same format as in the first series, though. The freshness is off it, it can't be a new experience again.

I would have been a lot happier if this series gave new information. Where is Paolo, or the Sicmon Islands? Who or what is Frolatti, and what is Frolatti's involvement? How does Sabine do - well, I'm not sure what she does.

I like Bantock's layered art (even when it's over-worked) and his fascination with stamps and postmarks. I really do want to see the story of Griffin and Sabine move forward. The tale seems to have stalled, though. Perhaps his success with the original G&S has left Bantock nervous about changing his formula.