Wartime: Understanding and Behavior in the Second World War
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| Wartime: Understanding and Behavior in the Second World War | |||||||||||||||||||||||||||||
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Winner of both the National Book Award for Arts and Letters and the National Book Critics Circle Award for Criticism, Paul Fussell's classic The Great War and Modern Memory remains one of the most original and gripping volumes ever written about the First World War. In its panoramic scope and poetic intensity, it illuminated a war that changed a generation and revolutionized the way we see the world. Now, in Wartime, Paul Fussell turns to the Second World War, the conflict in which he himself fought, to weave a more intensely personal and wide-ranging narrative. Whereas his former book focused primarily on literary figures, here Fussell examines the immediate impact of the war on soldiers and civilians. He compellingly depicts the psychological and emotional atmosphere of World War II by analyzing the wishful thinking and the euphemisms people needed to deal with unacceptable reality; by describing the abnormally intense frustration of desire and some of the means by which desire was satisfied; and, most importantly, by emphasizing the damage the war did to intellect, discrimination, honesty, individuality, complexity, ambiguity, and wit. Of course, no book of Fussell's would be complete without serious attention to the literature of the time. He offers astute commentary on Edmund Wilson's argument with Archibald MacLeish, Cyril Connolly's Horizon magazine, the war poetry of Randall Jarrell and Louis Simpson, and many other aspects of the wartime literary world. In this stunning volume, Fussell conveys the essence of that war as no other writer before him has.
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Paul Fussell, a distinguished literary historian, served as an infantry officer during World War II, and the experience has haunted him ever since. It has also informed his books, among them The Great War in Modern Memory and Wartime, a book that is part memoir, part cultural-critical study, and that is essential reading for anyone interested in the history of conflict. Fussell conjures the small details of battlefield experience -- the way a bird's song falls silent just before an artillery barrage, the curious plunking sound a spinning bullet makes, the drift of smoke over an obliterated village; he also evokes the Zeitgeist of the war years, an era when hometown grocery stores bore signs like this one: "Did you drown a sailor today because YOU bought a lamb chop without giving up the required coupons?"
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| 04-21-08 | 5 | (NA) |
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Paul Fussell's brilliant, earthy account of the lives of everyday soldiers in WWII is vastly superior to the shallow pap of Tom Brokaw's The Greatest Generation, or the pretentious PBS documentary series, The War.
My highest recommendation! (Review Data Last Updated: 2008-05-27 07:03:49 EST)
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| 09-07-07 | 4 | 2\3 |
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Cynical, skeptical, and above all ironic, WARTIME explores -- from a social, cultural, literary, and psychological point of view -- what one might call the underbelly of World War II, that wide world beneath the myths of the "good war," the "greatest generation," and "band of brothers." Fussell, who gave World War I similar treatment in THE GREAT WAR AND MODERN MEMORY, strives not so much to malign as to understand, to put events in perspective, to seek the truth through all the propaganda and distortion and cant and outright lies, to find the reality of the war.
One need not agree with all of Fussell's arguments nor share his cynicism to enjoy the book. Indeed, it's difficult to agree with such an overwrought description as "Japanese soldiers were being massacred on New Guinea and Guadalcanal." Understanding and truth-seeking require making distinctions, and there's nothing shameful in finding American troops -- despite the atrocities which they committed and which do deserve more attention -- more humane on the whole than their Japanese counterparts. Still, WARTIME is a useful corrective to popular (and bromidic) accounts of the war that often imply that everyone marched off to war willingly and gleefully, that everyone was united in support of the war and the way it was waged, that everyone high-mindedly fought for freedom. Yes, there were heroism, courage, and nobility, but there were also nastiness, brutishness, cruelty, and dishonesty. By exposing the latter, Fussell says, we elevate the former. He concludes the book with the statement Eisenhower prepared in case the D-Day invasion failed. In it, the general takes full responsibility for the failure, a gesture Fussell calls "a bright signal in a dark time" -- a gesture that means nothing if we believe all the many millions of men in uniform would have done the same thing. (Review Data Last Updated: 2008-04-17 12:11:32 EST)
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| 11-07-06 | 3 | 4\9 |
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While Paul Fussell does an outstanding job of recreating the wartime tricks and habits that kept the war effort humming in the USA and England, he writes as if the entire war was an unnecessary, even childish distraction from more serious business. And perhaps to some extent the war was optional for America. But national survival hung in the balance for dozens of other countries, who didn't ask for the war, but once in, had to find ways to survive - an aspect of war some might find of interest. True, the war demanded that money be raised, industry retooled, soldiers schooled, workers motivated - and all quickly and without the elegance or finesse that Fussell would have preferred. So he meticulously documents the entire war effort, and especially on the home front, as puerile, incompetent, self-contradictory, fatuous, superficial. So if you want a good "anti-war" read to convince yourself that wars are stupid, this book is for you. But don't look for sympathetic insights into how countries have to cope once caught in the crossfire.
(Review Data Last Updated: 2007-09-08 03:13:47 EST)
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| 04-09-05 | 4 | 8\9 |
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Fussell attempts to capture what it was like being a combat soldier during WW II. He stresses the horror of the real thing as compared to the heroic, sanitized version that most people like to talk about. His tone is bitter, though, and also pro-British at the expense of the American soldiers. All of this, I think, is meant to shock us, but it's so heavy-handed that it doesn't, really. Fussell is a good writer, however, and this book is well written.
(Review Data Last Updated: 2006-11-05 14:57:36 EST)
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