Carry Me Across the Water: A Novel
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| Carry Me Across the Water: A Novel | |||||||||||||||||||||||||||||
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“Take the advice of no one,” August Kleinman’s mother says to him while August is still a young boy in Germany, and with these words to guide him, he escapes Nazi Germany and goes on to build a fortune, a family, and life on his own terms in America. At the defining moments that reveal character and shape fate — a shocking encounter with a Japanese soldier in a cave during World War II, the audacious decision to start a brewery in Pittsburgh and a violent reaction against threats to its independent success, a vacation in Barbados, during which his beloved wife mysteriously wanders off, the birth of his grandson — August’s instincts are determinative in a way that illuminates how lives unfold at the deepest levels. This is a brilliant, suspenseful, surprising novel by one of America’s finest writers. Publisher’s Weekly called Ethan Canin’s For Kings and Planets “Masterful … a classic parable of the human condition,” and the same can be said about Carry Me Across the Water.
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A truly gifted short-story writer, Ethan Canin faltered when it came to his second novel, the turgid For Kings and Planets. This time around, though, the author has found an ingenious solution to his problems with the longer form. Carry Me Across the Water is essentially a book of short stories posing as a novel, and here's the surprise--it's pretty effective. The protagonist, August Kleinman, is a wealthy old man looking back on the span of his life. He recalls his early youth in Vienna as the son of a cultured Jewish family; his flight to America in the 1930s with his mother; his war years in the Pacific; his career as the beer king of Pittsburgh; his love for his wife and alienation from his children. This may sound relatively straightforward. Yet Canin shatters this portrait into a series of compelling vignettes, each rearing up unexpectedly and without the crude restraints of chronology.
This format of random flashbacks allows the author to handle a sprawling novel--and a complex life. At the same time, these compartmentalized moments are kept from seeming too small by means of an expansive prose style, which sometimes suggest Mark Helprin in high gear: "Downriver he could see the fierce furnaces throwing blue-black smoke into the air, the crude ore of the land being transformed by human ingenuity into girders and beams that were then floated downstream to ports and train yards and trucking depots, a vast delta of commerce that fanned out from there to all the great hubs of the earth." Throughout, Canin tempers his grandiloquence with a short-story writer's sensitivity to the details of character, and accomplishes exactly what he intended: an involving montage of 20th-century life. --Claire Dederer |
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A young boy escapes Nazi Germany and goes on to build a fortune, a family, and life on his own terms in America. At the defining moments that reveal character and shape fate, August's instincts are determinative in a way that illuminates how lives unfold at the deepest levels. This is a brilliant, suspenseful, surprising novel by one of America's finest writers.
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| 11-14-08 | 5 | (NA) |
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An exceptional author; you can't wait to see what the characters will do, and they do not disappoint. Canin is truly gifted.
(Review Data Last Updated: 2008-11-26 09:40:32 EST)
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| 06-14-08 | 4 | (NA) |
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Based on Canin's short stories, I confidently expected to love this novel. I am not going to argue that Carry Me Across the Water is a bad book, but I was not nearly as impressed as I expected to be.
I am not sure that I am smart enough to exactly pinpoint what did not work. I certainly appreciated it as I was reading it. As I sit here now to try to find the words to describe the flaws, I keep coming up with "forgettable" and "weak". All the same, "weak" is not correct. Canin is too good of a writer for that. "Diluted" is maybe more appropriate. It is as though what I like about his short stories is not concentrated enough to hold my attention here throughout the book. August Kleinman is an interesting enough character. The events in his life should also have been interesting enough. But still, it just didn't do it for me. There is enough of the flavor here of personal taste to suggest that you try the novel for yourself to see what you think. Since I cannot really define why it did not work, it may well be my issue rather than the novel's. Still, I think that I am going to circle back around to his short stories and remember what I liked so much in the first place. Three stars, really. But I cannot give a writer this strong less than four stars. (Review Data Last Updated: 2008-11-14 09:14:47 EST)
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| 02-03-07 | 4 | 7\8 |
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Canin, a writing professor at the University of Iowa, reminds me of Richard Yates in that I refer to each of them as a writer's writer. Both of these writers have very different strengths (and their lives have other points of intersection), but each has a way of producing work that is technically wonderful, while at the same time being an entertaining story. In this instance, Canin weaves a story about August Kleinman, a Jewish man who escaped the Holocaust and fought oversees in the Pacific. The story weaves August at multiple time periods and we jump from perspective to perspective seamlessly. That's the strongest aspect of this novel - the way Canin takes us to different points in August's life, while maintaining our complete and utter belief that this is the same person at different developmental stages in each instance. Another way to look at this novel is through its "tightness." Canin does a great job of linking things together and of providing closure to almost every single detail that he includes. This novel seems like it could have been written in two days or two years.
I highly recommend the book to people who enjoy reading technically saavy material. Rarely will you find work that is successful at pushing itself stylistically without compromising the plotline. Buy it and enjoy. (Review Data Last Updated: 2008-06-15 08:19:33 EST)
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